ARTIST | SONG | ALBUM |
---|---|---|
Sleepy John Estes | Poor Man's Friend (T-Model) | Jailhouse Blues |
Rosco Gordon | T-Model Boogie | The Sun Blues Box 1950-1958 |
Walter Roland | T-Model Blues | Lucille Bogan & Walter Roland:The Essential |
James Tisdom | Cadillac Blues | Texas Country Blues 1948-1951 |
Robert Nighthawk with Carey Mason | You Call Yourself A Cadillac | Blow My Blues Away Vol. 1 |
Junior Wells | I Need Me A Car | Messin' With The Kid |
Billy “The Kid” Emerson | Every Woman I Know (Crazy 'Bout Automobiles) | Red Hot |
Johnny "Guitar" Watson | Motor Head Baby | Johnny "Guitar" Watson 1952-1955 |
Jerry McCain | Courtin' In A Cadillac | Deep Harmonica Blues |
Robert Johnson | Terraplane Blues | The Centennial Collection |
Johnny Shines | Dynaflow Blues | Chicago The Blues Today |
KC Douglas | Mercury Boogie | The Roots of it all Vol. 2 |
Jack Cooley | Dynaflow Blues | The Excello Story Vol. 1 |
Sonny Boy Williamson II | Pontiac Blues | The Classic Sides |
Cedar Creek Sheik | Ford V-8 | Best Of |
Memphis Minnie | Me And My Chauffeur Blues | Men Are Like Street Cars |
Dan Pickett | Ride To A Funeral In A V8 | The Roots of it all Vol. 2 |
Lightnin' Hopkins | Automobile | All The Classics 1946-1951 |
Smokey Hogg | Too Many Drivers | Sings The Blues |
Champion Jack Dupree & Brownie McGhee | Auto Mechanic Blues | Savoy Blues 1944-1994 |
LaVern Baker | I Want A Lavender Cadillac | LaVern Baker 1949-1954 |
Jimmy Liggins & His Drops Of Joy | Cadillac Boogie | The Specialty Story |
Tommy Brown | V-8 Baby | Classic Tommy Brown |
Roy Brown | Cadillac Baby | Pay Day Jump |
Sonny Boy Williamson I | My Little Machine | The Original Sonny Boy Williamson Vol. 2 |
Robert Henry | Something's Wrong With My Little Machine | Down Home Blue Classics: Chicago & Detroit 1948-1953 |
Blue Flamers | Driving Down the Highway | Nashville Jumps |
Howlin' Wolf | Mr. Highway Man | The Sun Blues Box 1950-1958 |
Blind Lemon Jefferson | DB Blues | - The Complete Classic Sides |
Roosevelt Sykes | Henry Ford Blues | Roosevelt Sykes Vol. 1 1929-1930 |
Cleo Gibson | I've Got Ford Movements in my Hips | Territory Singers Vol. 2 |
Floyd Dixon | Red Head and Cadillac | Swing Time Jive |
Hot Lips Page | The Cadillac Song | Hot Lips Page 1950-1953 |
Peppermint Harris | Cadillac Funeral | Toast Of The Coast: 1950s R&B From Dolphin's Of Hollywood Vol. 2 |
Ike Turner & His Kings Of Rhythm | Rocket 88 | The Sun Blues Box 1950-1958 |
Show Notes:
On today’s program we spin a stack of great songs from the pre-war and post-war era dealing with automobiles. In The Automobile and American Life, it’s stated that in “the 1920s and 1930s, Blues artists-often coming from humble and racially restricted worlds-recognized the the car as being symbolic of freedom and unrestricted mobility. As Blacks living in a world of limited freedom in the Jim Crow American South, their artistic expression-the Blues-contained the message that the car was liberating, in terms of personal privacy and social and financial emancipation. It was a message of hope to those living in the Mississippi Delta, connected as it was by U.S. Highway 61.”
Ford’s were the subject of many songs, particularly the Model-T because of its affordability. In 1927 Ford started making more luxury models and second hand Model-T’s came on the market at low prices. Paul Oliver reasons that it also became popular because of its “near-indestructibility, its dependability, its lack of glamour, reflected virtues that the Negro liked to see in himself.” The car appeared in songs such as Sleepy John Estes’ “Poor Man’s Friend (T-Model)”, Walter Roland’s “T-Model Blues”, Lightnin Hopkins’ “T-Model Blues”, Rosco Gordon’s “T-Model Boogie” among others. Of course the T-Model was no Cadillac as in the common lyric, and the title of our show, “You call yourself a Cadillac, you ain’t nothin’ but a T-Model Ford.” As to the Cadillac, there were no shortage of songs about this desirable car. The Ford V-8, named after its powerful engine, came on the market in 1932 and captured the imagination of blues artists as evidenced in songs like Cedar Creek Sheik’s “Ford V-8”, Memphis Minnie’s oft covered “Me And My Chauffeur Blues”, Buddy Moss’ “Going To Your Funeral In A Vee Eight Ford” (covered by Dan Pickett) and Tommy Brown’s “V-8” among many others. Other auto models mentioned in blues songs include Rolls Royce, Pontiac, Packard, Mercury, Hudson, Mercury, Dodge, Oldsmobile, Dynaflow and Cadillac.
Of course, as Paul Oliver notes, automobiles were “a powerful sexual symbol.” There’s plenty of recorded evidence for this such as Robert Johnson’s “Terraplane Blues” (“I’m goin’ heist your hood, mama, I’m bound to check your oil”), Cleo Gibson’s “I’ve Got Ford Movements in My Hips” (“I’ve got Ford engine movements in my hips, ten thousand miles guarantee”) and Champion Jack Dupree & Brownie McGhee’s “Auto Mechanic Blues” to name a few. Two songs in this vein, “Too Many Drivers” and My Little Machine” spawned numerous covers.
Ford’s feature in several bues songs, particularly the T-Model and the V-8. The Ford Model T was produced by Ford 1908 to 1927. The Model T was Ford’s first automobile mass-produced on moving assembly lines with completely interchangeable parts, marketed to the middle class. In “Poor Man’s Friend (T-Model)” cut in 1935, Sleepy John Estes touts its virtues:
Well, well, the T-Model Ford, I say is a poor man’s friend
Well, well, it will help you out, even when your money’s thin
The Ford flathead V8 is a V8 engine designed by Ford. It was usually known simply as the Ford V8, and the first car model in which it was installed, the Model 18, was often called simply the “Ford V8”, after its new engine. Ford introduced it in 1932 and it was the first independently designed and built V8 engine produced by Ford for mass production. The powerful V-8 was the subject of may songs in the pre-war and post-war era. In 1936 the Cedar Creek Sheik cut “Ford V-8:”
Soon as I get my record straight
Put my money in a Ford V-8
Lord, and I ain’t gonna walk no more
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Advertisement from the Pittsburgh Courier, 1929 |
Other cars featured in song include the Hudson Terrplane, Mercury, Pontiac, Dodge, Oldsmobile and of course the Cadillac. One of the more famous songs is Robert Johnson’s “Terraplane Blues.” The song was Johnson’s first single,recorded in 1936, and it became a moderate regional hit. It was backed by“Kind Hearted Woman Blues,” and released early in March of 1937. The Terraplane, a car manufactured by Hudson Motor Car Company in the ’30s, serves as a sexual metaphor, as Johnson sings lines such as “And when I mash down on your starter, then your spark plug will give me fire.” ’The melody of ‘Terraplane Blues’ has been traced to earlier recordings by one of Johnson’s influences, Peetie Wheatstraw. The song was first reissued on the LP King of the Delta Blues Singers. It was the song most remembered by his contemporaries: “We heard a couple of his pieces come out on records,” Son House remembered. “Believe the first one I heard was ‘Terraplane Blues.’ Jesus, it was good. We all admired it. Said, ‘That boy is really going places.’” Frank Edwards covered the song in 1941 as did Johnny Shines. Shines was a running partner of Johnson and his “Dynaflow Blues” is an updated version of “Terraplane Blues.” Dynaflow was the trademarked name for a type of automatic transmission developed and built by General Motors Buick Motor Division from late 1947 to mid-1963.
Johnson’s song wasn’t the only one to sing the praises of Hudson as Blind Lemon Jefferson mentions the Hudson Super Six in his “DB Blues” from 1929 as well as name checking Ford and Dodge:
(Oh, here come Lemon in that new Ford sedan. Oh, listen to the motor roar)
Who is that comin’, hey, with his motor so strong?
I say, who is that comin’, hey, with his motor so strong?
That’s Lemon and his DB, people thinks he’s got his good luck on
Gonna get out of my four-cylinder Dodge, I’m gonna get me a Super Six
Get out of my four-cylinder Dodge, get me a Super Six
I’m always ’round the ladies, and I likes to have my business fixed
K.C. Douglas’s first recording was “Mercury Boogie” (later renamed “Mercury Blues”), in 1948 featuring Sidney Maiden (harmonica), Ford Chaney (second guitar), and Otis Cherry (drums). The song has been covered by Steve Miller, David Lindley, Ry Cooder and Dwight Yoakam, and a 1992 version by Alan Jackson was a number two hit on the US country chart. Sonny Boy Williamson II recorded “Pontiac Blues” in 1951. Perhaps no other automobile has inspired more song lyrics than the Cadillac. If the T-Model was the “Poor Man’s Friend”, it was the Cadillac blues singers aspired to as evidenced by numerous songs by artists such as Jerry McCain, Jimmy Liggins, Roy Brown, Lightnin’ Hopkins, Floyd Dixon, Hot Lips Page, among many others.
Among the numerous car songs, some like “Too Many Drivers” and “My Little Machine” became blues standards. “Too Many Drivers” was first recorded by Big Bill Broonzy in 1939 and became a blues standard. Smokey Hogg was the first to cover it in 1947 and Smiley Lewis cut a version in 1954 using the same title. The song was recorded under different titles including “Automobile Blues” by Lightnin’ Hopkins in 1949, “Little Car Blues” by Willie Love in 1951, “Let Me Ride Your Little Automobile” by Lowell Fulson in 1952 and “Little Side Car” by the Larks in 1951 to name a few.
Sonny Boy Williamson I cut “My Little Machine” in 1939 with the oft covered lyric “She got a standard carburetor, my baby been burnin’ bad gasoline.” The song has been covered by artists such as L.C. Green, Jimmy Rogers, Driftin’ Slim and as “Bad Gasoline” by Luke “Long Gone” Miles and “I Been Burning Bad Gasoline” by Lightnin’ Hopkins as well as several other variations.
Perhaps the most famous blues song about an automobile is “Rocket 88” which hit number one on the R&B charts. The song was credited to singer Jackie Brenston and his Delta Cats. The band was actually Ike Turner and his Kings of Rhythm. Brenston sang the lead vocal and was credited with writing “Rocket 88.” The song was recorded in the Memphis studio of producer Sam Phillips in March 1951, and licensed to Chess Records for release. The song glorified the Oldsmobile 88, a full-size car that was sold and produced by Oldsmobile from 1949 until 1999. From 1950 to 1974 the 88 was the division’s top-selling line, particularly the entry-level models such as the 88 and Dynamic 88.
Do you include Buddy Moss’ “Ride to Your Funeral in a v-8 Ford”?