ARTIST SONG ALBUM
Frankie Jaxon Christ Was Born On... Blues, Blues Christmas
Titus Turner Christmas Morning Blues Blues, Blues Christmas
Roy Milton New Year’s Resolution Blues, Blues Christmas
Jimmy Butler Trim Your Tree Blues, Blues Christmas
Big Joe Turner Christmas Date Boogie Blues, Blues Christmas
Rev. J.M. Gates Did You Spend Christmas Day In Jail? Blues, Blues Christmas
Leroy Carr Christmas In Jail Blues, Blues Christmas
Kansas City Kitty Christmas Mornin' Blues Blues, Blues Christmas
Goree Carter Christmas Time Complete Recordings, Vol. 1
Hop Wilson Merry Christmas Darling Steel Guitar Flash
Charles Brown New Merry Christmas Baby Legend!
Tampa Red Christmas & New Year's Blues Blues, Blues Christmas
Lonnie Johnson Happy New Year Darling Blues, Blues Christmas
Robert Nighthawk Merry Christmas BBlues Masters Vol. 4
Sonny Boy Williamson II Santa Claus Essential Sonny Boy Williamson
Harman Ray Xmas Blues Blues, Blues Christmas
Cecil Gant Hello Santa Claus Blues, Blues Christmas
Jimmy Witherspoon How I Hate To See Xmas... Blues, Blues Christmas
Larry Darnell Christmas Blues Blues, Blues Christmas
Bessie Smith At The Christmas Ball Blues, Blues Christmas
Butterbeans & Susie Papa Ain't No Santa Claus Blues, Blues Christmas
Mary Harris Happy New Year Blues Blues, Blues Christmas
Bukka White Christmas Eve Blues Miss.Delta Blues Jam in Memphis Vol. 2
Ralph Willis Christmas Blues Blues, Blues Christmas
Lightnin’ Hopkins Happy New Year Blues, Blues Christmas
Harry Crafton Bring That Cadillac Back Blues, Blues Christmas
Johnny Otis Happy New Year Baby Blues, Blues Christmas
J.B. Summers I Want A Present For Christmas Blues, Blues Christmas
Mabel Scott Boogie Woogie Santa Claus Blues, Blues Christmas
Clyde Lasley Santa Claus Home Drunk Bea & Baby Records, Vol. 2
Albert King Christmas Comes But Once... It's Christmas Time Again
Freddie King I Hear Jingle Bells Very Best of Freddy King, Vol. 1

-=Christmas Images=-

Show notes:

I've been doing a Christmas blues show for something like the past dozen years and was always frustrated with the lack of a really good collection of early blues Christmas songs. Luckily in 20o5 I hooked up with the Document label to put together a 2-CD, 52 track collection of blues and gospel songs from the 1920's to the 1950's. The result was Blues, Blues Christmas and the majority of today's show comes from that collection. For some reason the CD is currently out of stock so good luck finding a copy – and no I don't have any extras!

[This is an updated version of an article I wrote in 2006]

"Hurray for Christmas" exclaims Bessie Smith on her classic "At The Christmas Ball", which lays claim to being the first recorded Christmas blues song cut way back in 1925. Little did Bessie know that a tradition was born and through the years there have been hundreds of blues Christmas songs recorded by both well-established artists and a host of up-and-coming hopefuls. Record companies were quick to see the possibilities, often advertising these boldly in the trade papers of the day. The familiar blues themes of loneliness and hard times are always more acute during the holidays. Christmas themes are usually split between the "I want my baby for Christmas" variety and the "Its Christmas and I don’t have a lousy dime" lament. Surprisingly there’s a relative scarcity of gospel Christmas songs although there were plenty of Christmas sermons in the early years when recorded sermons were in vogue. In addition there’s a rich vein of New Year’s songs usually revolving around the hope that upcoming year will be better than the last.

Santa Claus Blues: The 1920's & 30's

Christmas Eve Blues AdThe earliest Christmas blues songs that I tracked down date from 1925. On Oct. 8 of that year Eva Taylor featured with Clarence Williams' Trio cut "Santa Claus Blues" for the Okeh label and recut the tune again on Oct. 16 with a slightly larger band, the Clarence Williams' Blue Five. Both versions feature Louis Armstrong on cornet. The song is more pop than blues however. On Nov. 18 Bessie Smith cut At The Christmas Ball [Lyrics] for Columbia. She recut the song again Dec. 9 but this version remained unissued. Many blues artists from the 20's cut Christmas songs including: Elzadie Robinson "The Santa Claus Crave" (1927), Victoria Spivey "Christmas Mornin' Blues" (1927), Blind Lemon Jefferson "Christmas Eve Blues" (1928), Bertha Chippie Hill "Christmas Man Blues" (1928), Blind Blake "Lonesome Christmas Blues" (1929), Cotton Top Mountain Sanctified Singers w/ Frankie 'Half Pint' Jaxon Christ Was Born On Christmas Morn (1929) [Lyrics].

The trend continued with more frequency in the 30's. Here are a few notable songs: Butterbeans & Susie Papa Ain’t No Santa Claus (1930), Charlie Jordan "Santa Claus Blues" ["Christmas Christmas, how glad I am you are here/ Well I ain’t had a chicken dinner for this whole round year/Shiny bones and naked bones gleaming from around my plate/ …So pass me that chicken, the turkey, duck and the goose/Well all you birds gonna be one legged when I turn you-a-loose"] (1931) and "Christmas "Christmas Blues" (1935), Kansas City Kitty & Georgia Tom "Christmas Morning Blues" (1934) [Lyrics], Verdi Lee "Christmas "Tree Blues" (1935), Tampa Red "Christmas And New Years Blues" (1934), Peetie Wheatstraw "Santa Claus Blues" (1935), Bumble Bee Slim's "Christmas And No Santa Claus and "Santa Claus Bring Me A New Woman" (1936), Black Ace "Christmas Time Blues (Beggin' Santa Claus)" (1937), Casey Bill Weldon "Christmas Time Blues" (1937), Bo Carter "Santa Claus" (1938), Walter Davis "Santa Claus" (1935) [Lyrics], Sonny Boy Williamson I "Christmas Morning Blues" (1938).

Merry Christmas Baby: The 40's & 50's

Pramount AdIn the 40's there of course was more blues Christmas songs but there was a new music brewing called R&B. Evolving out of jump blues in the late '40s, R&B laid the groundwork for rock & roll. Notable blues and R&B songs from this period include: Gatemouth Moore "Christmas Blues" (1946), Little Willie Littlefield "Merry Xmas" (1949), Mabel Scott "Boogie Woogie Santa Claus" (1947), Harman Ray Xmas Blues ["Hold it, hold it man/Don’t play me no jingle bells the way I feel this Christmas/Only kind of bells I want to have anything to do with is some of them mission bells/Man, play me the blues long, loud and lowdown"] (1947), Boll Weavil "Christmas Time Blues" (1947), Big Joe Turner Christmas Date Boogie (1948), Thelma Cooper "I Need A Man (For Xmas)" (1948), Smokey Hogg "I Want My Baby For Christmas" (1949), Amos Milburn "Let's Make Christmas Merry Baby" (1949), Harry Crafton "Bring That Cadillac Back" ["I let you eat my turkey on Christmas morn/When I looked around you and my Cadillac was gone"] (1949), Felix Gross "Love For Christmas" ["You can have your turkey and your dressing/Sweet cakes and apple pie/Blue Champagne and Rock & Rye/Everything that money can buy"] (1949), J.B. Summers "I Want a Present For Christmas" ["Santa Claus, Santa Claus/Hear my plea/Open up your bag and give a fine brown baby to me/ …You can stop by my chimney/Drop her in the chute/ Leave your reindeer outside/Come in and get my loot"] (1949).

How I hate To See Xmas Come Around 78The era's biggest Christmas song was undoubtedly the immortal "Merry Christmas, Baby" cut by Charles Brown & The Blazers in 1947. This perennial classic has been covered numerous times including versions by Elvis Presley, Chuck Berry, Lena Horne , Lou Rawls, Booker T. & the MG's, Otis Redding, James Brown and countless others. Charles Brown's smooth ballad style has become synonymous with Christmas ever since remaking "Merry Christmas, Baby" many times, cutting many other Christmas songs and full length albums including 1961's "Charles Brown Sings Christmas Songs" and "Cool Christmas Blues" in 1994. One other song from this era is the downright odd "Junior's a Jap Girl's Christmas for His Santa Claus" (1942) a Library of Congress recording by Willie Blackwell that defies categorization. Oher non-R&B Christmas songs from the 40's include a few by Leadbelly such as "Christmas Is A-Coming" [Lyrics], "The Christmas Song", "On A Christmas Day", Sylvestor Cotton "Christmas Blues" (1948), Washboard Pete [aka Ralph Willis] "Christmas Blues" (1948), Alex Seward & Louis Hayes "Christmas Time Blues" (1948), Walter Davis "Santa Claus" (1949).

Gatemouth Moore AdThe 50's produced many more Christmas gems including: Lowell Fulson's oft covered ""Lonesome Christmas" (1950), Cecil Gant It's Christmas Time Again (1950), Roy Milton "Christmas Time Blues" (1950), Johnny Otis & Little Esther Phillips "Far Away Blues" [also known as "Faraway Christmas Blues"] (1950), Jimmy Liggins "I Want My Baby For Christmas" (1950), Larry Darnell Christmas Blues (1950), Sonny Parker w/ Lionel Hampton "Boogie Woogie Santa Claus" (1950), Lloyd Glenn "Sleigh Ride" (1951), Sugar Chile Robinson "Christmas Boogie b/w Rudolph The Red-Nosed Reindeer" (1950), Titus Turner Christmas Morning (1952), Lightning Hopkins "Merry Christmas" (1953), Chuck Berry "Run, Rudolph, Run" (1958) and "Merry Christmas Baby" (1958), John Lee Hooker "Blues for Christmas" (1959).

Please Come Home For Christmas Baby: The 60's To The Present

The 60's, less so in the 70's, produced a number of strong Christmas blues songs including at least one blues classic, Little Johnny Taylor's "Please Come Home For Christmas" (1969) which has become an oft covered holiday classic. Other notable 60's songs include: Sonny Boy Williamson II "Santa Claus" (1960), Lightnin' Hopkins "Santa" (1960), Black Ace "Santa Claus Blues" (1960), B.B. King "Christmas Celebration" (1960), Hop Wilson "Merry Christmas, Darling" (1961), Robert Nighthawk "Merry Christmas Baby" (1964), Lowell Fulson "I Wanna Spend Christmas With You" (1967), Louis Jordan "Santa Claus, Santa Claus" (1968), Charles Brown "New Merry Christmas Baby" (1969) featuring Earl Hooker, Bukka White "Christmas Eve Blues" (1969). In the 70's: Jimmy Reed "Christmas Present Blues" (1970), Lee Jackson "The Christmas Song" (1971), Albert King "Santa Claus Wants Some Lovin'" (1974) and "Christmas Comes But Once A Year" (1974), Eddie C. Campbell "Santa's Messin' with the Kid" (1977).

James Brown's Funky ChristmasThere seems to be a dearth of quality Christmas songs in the 70's and 80's. By the late 80's the rise of the CD caused the demise of the 45 record which was one of the main vehicles for putting out holiday songs. However in lieu of the 45 labels began releasing Christmas themed compilations and there have been a number of very good collections. Some of the best include: "Austin Rhythm and Blues Christmas" (1989) from the Antone's label [reissued on Epic in 1986 and Sony in 2001], "Alligator Records Christmas Collection" (1992), "Ichiban Blues At Christmas Vol. 1-4" (1991-97) ["Best of Ichiban Blues at Christmas" was issued 2002], "Bullseye Blues Christmas" (1995), "Stony Plain's Christmas Blues" (2000), "Blue Christmas" (2000) from the Dialtone label, "Blue Xmas" (2001) on Evidence. A number of artists issued Christmas themed records including Charles Brown, Huey "Piano' Smith, Johnny Adams, B.B. King and Etta James. Also with the dominance of the CD age labels went back into their vaults to put together compilations of classic Christmas blues. Many of the songs listed earlier in this article can be found on these collections and the best of these will be listed below.

Let Me Hang My Stocking On Your Christmas Tree

Christmas blues as sexual metaphor? Of course! The blues has always been loaded with double entendres and Christmas blues offers plenty of examples: Roosevelt Sykes "Let Me Hang My Stocking In Your Christmas Tree" (1937), Jimmy Butler Trim Your Tree ["I’m gonna bring along my hatchet/My beautiful Christmas balls/I’ll sprinkle my snow up on your tree and hang my mistletoe on your wall"] (1955), Clarence Carter "Back Door Santa" (1968), "Santa Claus Wants Some Lovin'" by Albert King (1974) and Sir Mack Rice (1982), Rufus Thomas "I’ll Be Your Santa, Baby" (1982) and Sonny Rhodes the same year, Chick Willis "(All I Want for Christmas Is To) Lay Around and Love On You" (1991).

Papa Ain't No Santa Claus

Leroy Carr AdThose who listen to the blues know it's not all doom and gloom. The blues are laced with humor and that comes across in many blues Christmas songs: Butterbeans & Susie "Papa Ain’t No Santa Claus" (1930) [Lyrics], Big Jack Johnson "Rudolph Got Drunk Last Night" (1990), Clyde Lasley "Santa Claus Home Drunk", Billy Ray Charles "I Been Double Crossed By Santa Claus", Louis Armstrong "Zat You Santa Claus."

Empty Stocking Blues

Not everyone enjoys the holidays and many people suffer from the Christmas blues. If you want to wallow in your depression here's an appropriate blues soundtrack: Leroy Carr Christmas In Jail – Ain't That A Pain? (1929) [Lyrics], Jimmy Witherspoon "Christmas Blues" [alternately titled "How I Hate To See Christmas Come Around"] (1947), Jimmy Grissom "Christmas Brings Me Down" (1948), Floyd Dixon "Empty Stocking Blues" (1950), "Sonny Boy's Christmas Blues" ["Unless you come home to me/I'll be drunk all day Christmas Day"]" (1951), Lowell Fulson's two-part "Lonesome Christmas" (1951), Freddie King's classic two sided 45 "Christmas Tears b/w I Hear Jingle Bells" (1961), Jerry McCain & B.B. Coleman "Sad, Sad Christmas" (1992).

Will The Coffin Be Your Santa Claus?

Death May Be Your christmas Present AdRecorded sermons were among the most popular and best selling of the "race records"in the 1920’s and 1930’s. These records provided a fascinating look into the views and concerns of black America at a time when very few outlets existed for black expression. Rev. J.M. Gates was the most popular and prolific of them all, waxing some two hundred titles between 1926 and 1941, which accounted for a staggering quarter of all sermons recorded during this period. Notable sermons from this period include: Rev. Edward Clayborn "The Wrong Way To Celebrate Christmas" (1928) [Lyrics], Rev. A.W. Nix "Death Might Be Your Christmas Gift" (1927), or these three by Rev. J.M. Gates: "You May Be Alive Or You May Be Dead, Christmas Day" (1927), "Will The Coffin Be Your Santa Claus?" (1927), "Did You Spend Christmas Day In Jail?" (1929).

Happy New Year Darling

While there's far more Christmas songs, New Year has inspired a number of noteworthy songs: Blind Lemon Jefferson "Happy New Year Blues" (1928), Mary Harris with Peetie Wheatstraw "Happy New Year Blues" (1935) [Lyrics], Smokey Hogg "New Years Eve Blues" (1947), Lonnie Johnson Happy New Year, Darling["It seems a long time since I been fightin' the Japs 'cross the deep blue sea/Yes, that's why I'm so glad darlin', to have a li'l wife still waitin' for me/It's so great to have you darlin', to have a li'l wife like you/My three brothers couldn't make it but they say happy new year to you"] (1947), Johnny Otis "Happy New Year, Baby" (1947), Lil’ Son Jackson "New Year’s Resolution" (1950), Roy Milton New Year’s Resolution Blues ["I’m gonna deal them from the bottom/Ain’t going to play it fair at all/Please believe me pretty baby/I’m going to have myself a ball/Going to give up my apartment, and you know they’re hard to find/ I don’t want no last year’s memories running through my weary mind"] (1950), Lightnin' Hopkins "Happy New Year" (1953) [Lyrics], Charles Brown "Bringing In A Brand New Year" (1993), Lil Ed and Dave Weld "New Year’s Resolution" (1996).

Notable Christmas Blues Compilations

Blues, Blues Christmas (Document): Comprehensive 2-CD collection of jazz, blues, boogie-woogie and gospel recordings dedicated to the season. Collects 52 numbers spanning from 1925 to 1955 including tracks by Bessie Smith, Leroy Carr, Rev. J.M. Gates, Butterbeans & Susie, Lonnie Johnson, Roy Milton, Larry Darnell, Cecil Gant, Lightnin' Hopkins and many, many others.

Where Will You Be Christmas Day? (Dust To Digital): Fine collectiof rare early Christmas gems by Leroy Carr, Alabama Sacred Harp Singers, Butterbeans and Susie, Cotton Top Mountain Sanctified Singers, Lightnin' Hopkins, Kansas City Kitty, Bessie Smith and many others.

Soul Christmas (Atlantic): This 1991 reissue includes eight of the original 11 tracks included on the Atco 1968 release with 11 more tracks added from the Atlantic vaults. An essential set that includes Otis Redding's "White Christmas" and "Merry Christmas, Baby", Clarence Carter's "Back Door Santa", Joe Tex's "I'll Make Every Day Christmas (For My Woman)" and others.

Blue Yule: Christmas Blues and R&B Classics (Rhino): A killer 18-song compilation. Includes hard to find tracks by John Lee Hooker, Lightnin' Hopkins, Hop Wilson, Big Jack Johnson and other gems.

It's Christmas Time Again (Stax)
: A great collection of funky blues and soul from the Stax catalog. Standout tracks include "Santa Claus Wants Some Lovin'" with versions by Mack Rice and Albert King plus Rufus Thomas' "I'll Be Your Santa Baby'" and Little Johnny Taylor's "Please Come Home for Christmas"

Merry Christmas, Baby (Paula): Some real gems on here although some can be found on other compilations. Includes fine songs like Johnny And Jon's "Christmas in Vietnam", Charles Brown's "Please Come Home for Christmas", Lowell Fulson's "Lonesome Christmas" parts 1 & 2 plus songs by Big Joe Williams, Sugar Boy Crawford, Louis Jordan, Jimmy Reed and others.

Jingle Blues (Platinum): Entertaining collection from the House of Blues. Includes a wide variety of styles by artists such as Bessie Smith, Sonny Boy Williamson, Jimmy Witherspoon, B.B. King, Amos Milburn and others.

James Brown's Funky Christmas (Polygram): What would Christmas be without this funky collection? This 17-track compilation includes selections cut between 1966-1970. Highlights include "Go Power at Christmas Time", "Santa Claus Go Straight to the Ghetto" and "Hey America" (It's Christmas Time).

Christmas Blues (Savoy): Fine Christmas blues from the vaults of Savoy like Gatemouth Moore's "Christmas Blues", Jimmy Butler's rocking "Trim Your Tree", the country blues of Ralph Willis' "Christmas Blues" and several other vintage tunes.

Rhythm & Blues Christmas (Hollywood): Budget priced collection that includes Charles Brown's "Merry Christmas Baby," Freddie King's "Christmas Tears/I Hear Jingle Bells", Mabel Scott's "Boogie Woogie Santa Claus" and others.

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Taking a cue from a Peetie Wheatstraw song I've got those "Ice And Snow Blues" today. As I look out the window today the snow is falling fast and heavy with no let up in sight. Unfortunately I'll have to play it safe and stay home which means no show today. Today's show was going to be a feature on singers Junior Parker and Bobby Bland which will be pushed back to January 6th. Make sure to tune in next week for our Christmas blues show.

Peetie Wheatstraw – Ice And Snow Blues (MP3)

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I Can't Keep My Foot From Jumping Complete Blue Horizon Recordings

While there are a few modern day blues mandolin revivalists, the instrument has largely consigned to the dustbin of history. Although little-heard on commercial recordings after the 1940s, the mandolin played an important role in blues and early rural black music. The mandolin can be heard on numerous recordings of the 1920’s and 1930’s particularly on several black string band and jug band recordings. Johnny Young was the most famous of the post-war mandolin players who after waxing a couple of exciting 78's for Ora Nelle and Planet/Old Swing-Master circa 1947-48 didn't resurface on record for fifteen years. Thankfully the 1960's and 70's were a different story with Young recording for Testament, Arhoolie Vangaurd, Spivey, Blue Horizon, Blues On Blues, Bluesway as well as a number of of other scattered sides. Young played traditional Chicago blues, rooted in the 40's and early 50's, and didn't share much in common with more modern upstarts like Otis Rush, Buddy Guy and Magic Sam. He also had one foot in his home state of Mississippi, his music still tied to the southern blues style of the 1920's and 30's and the vibrant string band tradition.

The general consensus ranks his Arhoolie recordings among his best but for my money his Bluesway album, I Can't Keep My Foot From Jumping, is one of his finest and one that gets unjustly ignored. Of course it doesn't help that the album has been long out of print and that the Bluesway label doesn't have the best reputation. Producer Al Smith has been the target of much of the animosity against the label summed up writer Pete Lowry in a 1974 Living Blues review: "Here was a strange man-I don't know if he was any kind of bass player, but he surely produced some screwed-up sessions. I won't go into artist "relations," but merely deal with the sessions; there have been some predictable characteristics. Lousy liner notes, replete with phonetic spelling (to be kind), incomplete or wrong personnel data, as well as often incomplete or disordered listings of the tunes… As for the records themselves, they varied from good to near disasters. The results of Al's Special Ninety Minute Album Sessions included inconsistent levels on instruments, as if the warm up/test stuff was mixed for release (as was most likely the case!), some strange sounding stuff (out-of-synch echo units), and just total lack of programming. Al seems to have assembled albums in the order recorded, with no concept of the album as a programmed whole. For an artist to survive this sort of "production" he had to be damn good, or be having a better than average day in the studio."

Fat MandolinIn 1969 Young cut a record for Blue Horizon that was titled Fat Mandolin in the UK. I've had the US version for years which goes under the less inspired title of Blues Masters Vol. 9. My impression of this one has been less than favorable although admittedly I hadn't listened to it in years. Apparently I'm not the only one as Mike Vernon relates: "To the best of my recall, the album got little press coverage. It was, of course, certainly reviewed by the blues magazines of the time but with little real enthusiasm." Now with the release of Johnny Young: The Complete Blue Horizon Sessions it's time for a reassessment. For his part, Young had scorn for both labels: "Them people really cheated me, man. You know how much they gave me to make the LP? $50."

After listening to the The Complete Blue Horizon Sessions I've revised my opinion of theses sessions and have to say they hold up quite well although I don't think they rival the Bluesway and Arhoolie recordings. Mike Vernon's assessment is right on the mark: "What you will be listening to is tough, straight ahead, no messin' Chicago blues, echoing the great 40's era, as exemplified in the work of Big Maceo Merriweather and John Lee Williamson." Young plays mandolin on the bulk of the cuts aided by members of Muddy Waters' band: Otis Spann, Sammy Lawhorn, Paul Oscher and S.P. Leary. Young was a warm, powerful singer and magnificent mandolin player. Thankfully this set features a good dose of his rippling mandolin work on numbers like "Moaning And Groaning", "Lula Mae" which suffers from a very abrupt fade, "Prison Bound" and a rocking version of "Stealin' that fades just when things are really cooking. The latter track is one of three unreleased tracks, the others, "Go Ahead On (With That Funky Broadway Sound", a slow number despite the title, and "Johnny's Mess Around" are fun but a bit loose and aimless. The band, as to be expected is very good and of course Spann is always a joy to hear. While overall a very solid set, there's a spark missing, a sense of excitement and energy that's lacking.

That spark is clearly evident on I Can't Keep My Foot From Jumping a 1973 outing that was to be his final album. Young died the following year. Young's brawny, rippling mandolin playing is better recorded then the Blue Horizon, much more up front in the mix, and there's a crackling energy lacking in the earlier session. The band locks into a rock solid groove behind their leader: Louis Myers, Bill Warren and Richard Evans. The pianist is uncredited but may be Bob Reidy who Young had been playing with for several years and who appears on a Blues On Blues LP from around the same time period. Young plays mandolin on every track and there's an innate sense of swing beginning with the chugging title track, not only an instrumental showcase for Young's mandolin prowess but also for the band, including blistering guitar from Myers and in-the-pocket drumming from Bill Warren. Several of the same songs appear on both albums with the Bluesway versions superior; those include "Lend Me Your Love", "Train Fare Out Of Town" and a knockout version of "Deal The Cards." There's not a bad track to be found with favorites going to "I Gotta Find My Baby", "Stop Breaking Down" and the jumping shuffle "I Know She's Kinda Slick." Vocally young has rarely sounded better and the album as a whole serves as a clinic on blues mandolin playing.

Just about everything Young cut is worthwhile and despite some caveats I would certainly recommend the Blue Horizon set. Blue Horizon has been doing a superb job with their reissue series with all the releases boasting excellent sound and notes plus bonus tracks. Now if only someone would do this for the Bluesway catalog which, outside of a few which have made it onto CD, have languished in the cut out bin for far too long.

Moaning And Groaning [Blue Horizon](MP3)

Stealin' [Blue Horizon](MP3)

Deal The Cards [Bluesway] (MP3)

I Know She's Kinda Slick [Bluesway](MP3)

 

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ARTIST SONG ALBUM
Louis Jordan Let The Good Times Roll Good Times Live 1948-1949
Louis Jordan Buzz Me Good Times Live 1948-1949
Joe Turner/Pete Johnson Honey Dripper Rare Live Cuts
B.B. King Night Life Great Moments With B.B. King
Eddie Vinson Cleanhead's Blues Johnny Otis Show Live Monterey
Pee Wee Crayton The Things I Used To Do Johnny Otis Show Live Monterey
Helen Humes My Daddy's Coffin Blues 1948-1950
Helen Humes Hard Drivin’ Mama 1948-1950
Jimmy Witherspoon No Rollin’ Blues The 'Spoon Concerts
Jimmy Witherspoon Failing By Degrees Urban Blues Singing Legend
Freddie King Early One Morning Private Recording
Hound Dog Taylor Everything Is Alright Private Recording
King Biscuit Blues Boys Bricks In My Pillow Ann Arbor Blues Festival Vol. 4
Roosevelt Sykes Driving Wheel Grind It
Furry Lewis John Henry Party! At Home
Scrapper Blackwell Nobody Knows You When... Scrapper Blackwell Vol. 3
Scrapper Blackwell Little Boy Blue Scrapper Blackwell Vol. 3
Blu Lu Barker Georgia Brind Jazzin' The blues Vol. 5
Bertha "Chippie" Hill How Long Blues Montana Taylor & 'Freddy' Shayne
Sugar Pie DeSanto Hello San Francisco San Francisco Blues Festival 3
Etta James Something's Got a Hold on Me Etta Rocks The House
Esther Phillips I'm Getting 'Long Alright Burnin'
Muddy Waters Wee Baby Blues Folk Festival of The Blues
Robert Nighthawk Cheating and Lying Blues And This Is Maxwell Street
Marie Adams Mama He Treats Your... Johnny Otis Show: Vintage 1950’s Broadcasts
Johnny Otis Midnight At The Barrelhouse Johnny Otis Show: Vintage 1950’s Broadcasts

Show Notes:

Today's show is not nearly as narrowly focused as our usual shows but there's certainly plenty of great music. In fact, after putting this one together I already have enough left over material for a couple of sequels. On tap today is a wide variety of live recordings from radio broadcasts, club dates and concerts spanning from 1939 to 1978.

Johnny Otis Vintage BroadcastsI've culled recordings from a variety of sources including quit a number from radio broadcasts. The oldest track is by a youthful sounding Big Joe Turner with pal Pete Johnson on piano from a Café Society aircheck from 1939. This come from a fascinating collection on Document called Live Rare Live Cuts featuring airchecks from Café Society by Meade Lux Lewis, Billie Holiday, Albert Ammons and others. Café Society was a New York City nightclub opened in 1938 in Greenwich Village by Barney Josephson to showcase African American talent. Also from a radio broadcast is Blue Lu Barker’s "Georgia Grind" with a superb band featuring husband Danny Barker and Pops Foster among the accompanists, come from a radio broadcast. Barker didn't have the greatest range but is a charming singer and does a fine job on this number which she recorded commercially for Decca in 1939. We open the show with recordings by Louis Jordan who was at the height of his popularity during World War II and recorded prolifically for the Armed Forces Radio Service and the V-Disc program. By 1942, the Armed Forces Radio Service (AFRS) sent 16-inch, 33 rpm vinyl transcription discs to the troops, mostly radio shows with the commercials edited out. Moving up to the 1950's we play a pair of recordings from the collection Johnny Otis Show: Vintage 1950's Broadcasts from Los Angeles. This is a fascinating document based around air checks and live broadcasts from 1950s radio and television shows in which Otis was the radio DJ, host, and/or one of the performers.

Johnny Otis Revue Poster Speaking of Johnny Otis we move up nearly twenty years to 1971 and spotlight a pair of cuts from the outstanding Johnny Otis Show Live At Monterey. The record features terrific performances by Roy Milton, Big Joe Turner, Ivory Joe Hunter, Esther Phillips, Roy Brown, Pee Wee Crayon and Cleanhead Vinson. As good as Esther Phillips was at this show she was simply stunning on Burnin' recorded live at Freddie Jett's Pied Piper in Los Angeles recorded in 1969 and issued on Atlantic the following year. I've written about Esther before, have been playing her music for years and always felt she was a vastly underrated blues singer. Esther may have been versatile for her own good, tackling country, soul, – all supremely well- but she sang the blues with astonishing depth and if you know anything about her life you know she lived the blues. The chapter on Esther in Johnny Otis' Upside Your Head! Rhythm and Blues on Central Avenue is one of the saddest musical chronicles I've ever read. We also spotlight a few other tough woman blues singers like Sugar Pie DeSanto from the 1978 San Francisco Blues Festival, Bertha "Chippie" Hill from a 1946 radio broadcast and Etta James. The Etta cut comes from Etta Rocks The House, recorded live at Nashville's New Era Club in 1963, and has to rank as one of the toughest, roughest club dates ever committed to record.

Going back some twenty years prior to the above mentioned Johnny Otis concert we feature some recordings from concerts organized by Gene Norman. Norman put together concerts called "Blues Jubilees" in Los Angeles in 1949, 1950 and 1955. Fortunately recordings exist of some of these concerts including performances by Dinah Washington, Helen Humes, Big Joe Turner and Jimmy Witherspoon. I can't help but hope other recordings exist and will one day see the light of day. Norman was certainly ahead of his time and it wasn't until the blues revival of the 1960's and into the 1970's that the blues festival came into it's own. The Newport Folk Festival was the prime showcase for rediscovered artists like Mississippi John Hurt, Son House, Bukka White, Skip James and just about everyone else. Another festival spotlighted today is The Ann Arbor Blues Festival which began in 1969 and was expanded in 1972 to include jazz thus becaming the Ann Arbor Blues and Jazz Festival.

As mentioned the Newport Folk Festival played a huge role in bringing rediscovered to a wide audience but these artists also played a smaller circuit of coffeehouses, colleges and clubs. Another figure who emerged after a long absence was Scrapper Blackwell who was rediscovered living in Indianapolis, and was prevailed upon to resume playing and recording. Our two selections stem from a live concert at Indianapolis' 1444 Gallery from September 20, 1959 available on Document's Scrapper Blackwell 1959 – 1960. Sadly Blackwell was murdered during a robbery attempt in 1962 shortly after cutting the magnificent Mr. Scrapper’s Blues for Bluesville.

Blues From Big Bill's Copa Cbana ClubA few other recordings worth mention are a bit rough on the recording side but are invaluable documents including atmospheric performances by Little Johnnie Jones, Muddy Waters and Slim Harpo. Outside of Otis Span, Johnny Jones was one of the best post-war Chicago piano man and it's a shame he recorded only a handful of sides under his own name. Thankfully Norman Dayron had the presence of mind to record Jones when he played at the Fickle Pickle in 1963 along with Billy Arnold. Live in Chicago with Billy Boy Arnold on Alligator is a msut have for piano fans and fans of Chicago Blues. The same can be said of Folk Festival of The Blues (also issued as Blues From Big Bill's Copacabana) recorded on July 26, 1963 at a WPOA live radio broadcast emceed by local Chicago disc jockey Big Bill Hill emanating from the Copacabana Club. This features Buddy Guy's band as the backup band for everybody, augmented by pianist Otis Spann on some amazingly raw and powerhouse blues. The Muddy Waters tracks in particular are simply stunning. Moving from the club to the street we feature tracks by Robert Nighthawk and Johnny Young recorded live on Chicago's Maxwell Street. The recordings come from the amazing And This Is Maxwell Street a this three disc set features the street recordings from the 1964 Mike Shea film documentary, And This Is Free, plus a bevy of previously unreleased performances of equal landmark merit. The bulk of the performances feature Robert Nighthawk but also Johnny Young, Carey Bell, James Brewer, Big John Wrencher and others.

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Robert Nighthawk Marker

I've had a long running interest in Robert Nighthawk and am always pleased when he gets some recognition. I recently received an email from somebody involved with the Mississippi Blues Commission. The commission are the folks behind the Mississippi Blues Trail which when completed will be composed of more than 100 historical markers and interpretive sites located throughout the state. From the press release: "On Thursday, December 13, 2007 at 2:00 PM, MDA Tourism Heritage Trails Program, the Mississippi Blues Commission and the Clarksdale/Coahoma Tourism Commission will honor blues legend, Robert Lee "Nighthawk" McCollum. The ceremony will take place at the Hirsberg Drug Store located at 649 2nd Street in Friars Point, MS." Nighthawk spent his entire life rambling around the country but Helena and Friars Point were places close to his heart. He lived and married in Friars Point as well as cutting the magnificent "Friars Point Blues" for Decca in 1940.

Nighthawk stayed in Chicago periodically but he related the following to writer Don Kent: "He told me he frankly preferred the South. It was cheaper, apt to be less violent than the City, and he was better known." When he was in Chicago he was a regular on Maxwell Street, Chicago's bustling open-air market. The market was a magnet for musicians just arriving to Chicago as well as those already established on the local blues scene.

We are extremely fortunate that filmaker Mike Shea was on the scene back then. In 1964 Shea was filming a documentary about the Maxwell Street market. The filming took place every Sunday capturing the vibrant sounds of the market including sidewalk merchants, street preachers, gospel singers and blues musicians. Disappointed by the film's reception, Shea let the tapes languish in a warehouse for years until they were finally thrown away in the 70's. Fortunately the audio tapes had been stored separately so all the original music has been preserved. In 2000 Rooster issued the 3-CD set And This Is Free containing all the recordings, the bulk of which feature Robert Nighthawk. Apparently much of the video has been lost although at one point it was available on VHS but is now out of print and difficult to find. Studio IT is currently soliciting a distribution deal to put out the original video. Below is a clip from the documentary I stumbled upon on the web. The song was listed as Going Down to Eli which was the title given to the song on the Rounder album Live On Maxwel Street 1964 but is actually a cover of Doctor Clayton's "Cheating And Lying Blues" and correctly titled on the Rooster release.



Robert Nighthawk – Cheating And Lying Blues

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