|Jimmy Rogers||Round About Boogie||Down Home Blues Classics: Chicago|
|Jimmy Rogers||Little Store Blues||Chicago Boogie! 1947|
|Jimmy Rogers||Ludella||Early Rhythm & Blues 1949 From The Rare Regal Sessions|
|Memphis Minnie||Down Home Girl||Early Rhythm & Blues 1949 From The Rare Regal Sessions|
|Johnny Shines||So Glad I Found You||Chess Blues Guitar 1949-1969|
|Little Walter||Muskadine Blues||Blues World Of Little Walter|
|Little Walter||Just Keep Loving Her||Blues World Of Little Walter|
|Jimmy Rogers||Goin' Away Baby||Complete Chess Recordings
|Jimmy Rogers||That's All Right||Complete Chess Recordings|
|Jimmy Rogers||Money, Marbles And Chalk||Complete Chess Recordings
|Jimmy Rogers||The World Is In A Tangle||Complete Chess Recordings
|Jimmy Rogers||Back Door Friend||Complete Chess Recordings
|Little Walter||Can't Hold Out Much Longer||The Complete Chess Masters 1950-1967|
|Muddy Waters||Gone To Main Street||The Complete Chess Recordings|
|Jimmy Rogers||Out On The Road||Complete Chess Recordings|
|Jimmy Rogers||Act Like You Love Me||Complete Chess Recordings|
|Jimmy Rogers||Left Me With a Broken Heart||Complete Chess Recordings|
|Muddy Waters||My Life Is Ruined||The Complete Chess Recordings|
|T- Bone Walker||Papa Ain't Salty||T-Bone Blues|
|Jimmy Rogers||Walking By Myself||Complete Chess Recordings|
|Jimmy Rogers||If It Ain't Me (Who You Thinking Of||The Complete Chess Recordings|
|Sunnyland Slim||It's You||Sunnyland Special|
|Howlin' Wolf||Down In The Bottom||The Complete Recordings 1951-1969|
|Jimmy Rogers||Tricky Woman||American Folk Blues Festival '72|
|Jimmy Rogers||What Have I Done?||Chicago Blues at Home|
|Jimmy Rogers & Muddy Waters||That's Alright||I'm Ready|
An under-sung hero of the blues, Jimmy Rogers played a a key role in creating the electrified, band-oriented postwar Chicago sound. He was a member of Muddy Waters’ first band in Chicago, and cut great sides for Chess under his own name including blues standards like "That’s All Right," "Ludella", "Chicago Bound," and "Walking By Myself." In addition to playing on dozens of sides backing Waters, Rogers also backed numerous others including Memphis Minnie, Little Walter, Howlin' Wolf, Johnny Shines, Floyd Jones and others. After a final Chess single in 1959, Rogers, outside o fa lone single on the C.J. label, did not record again until the 1970's, when he cut the his first full-length album for Shelter Records. He rejoined Muddy Waters in 1978 for the I’m Ready album and tour and released several albums later in life before passing in 1997.
Born James A. Lane, he was raised by his grandmother after his father was killed in a scuffle at a sawmill. She moved them often, living in several owns in several states: Tennessee, Arkansas, and Mississippi. His first guitar was a diddley bow, a broom wire nailed to the side of a house and plucked, next was the harmonica. Soon he was playing other people’s guitars. Meeting and watching Houston Stackhouse, Tommy McClennan, Robert Petway, Robert Lockwood, and Joe Willie Wilkins, and listening to King Biscuit Time on the radio, Rogers developed a solid musical foundation and earned a reliable reputation as a player. Rogers had family in Chicago, and had been there several times before settling permanently in the mid-1940s. He found an apartment on the Near West Side, next to the Maxwell Street market, which is where he was living when he befriended a factory coworker who was Muddy Waters’s cousin. From the time Muddy and Jimmy first played together, they knew they had a good sound. Rogers understood how to play bass parts and how to play licks that complemented Muddy’s slide.
Initially, Rogers and Waters played with a third guitarist named Claude "Blue" Smitty. To keep the sound varied, Rogers often played harmonica instead of guitar, until Blue Smitty left and Rogers found Little Walter. Muddy, Rogers, and Walter began gigging together and, on their off nights, called themselves the Headhunters, roving the Chicago club scene of the late 1940s, sitting in on other people’s gigs and showing off their new, urban blues sound.
Rogers made his first solo recording in 1946 for the Harlem label, but Rogers' name did not appear on the record, which was mislabeled as the work of "Memphis Slim and his Houserockers" and Sunnyland Slim. Following that Rogers, with Little Walter at his side, cut the 1948 single “Little Store Blues” for the tiny Ora Nelle label. The legendary Ora Nelle label was run out of a record store by Bernard and his wife Idel, known as Red, operated for a year or two, managing just two releases. Another 10 sides of alternate takes and unreleased material make Ora Nelle's entire legacy. George Paulus, who had been a regular customer at Maxwell Street Record and Radio for several years, bought the surviving lacquers from the Abrams family. Paulus recalled: "I asked Bernie where he recorded Walter and Rogers. He matter of factly replied, “We had a little disc cutting machine in the front of the shop. Recorded right about where you are standing. The boys just sat on chairs and played. Hell, Walter played harp on the steps when he was relaxing.” Red came over and said ,”Walter was a very nice talented fellow and we wished him all the best.” "Ora Nelle Blues," sung by Othum Brown, was named after one of Red’s relations. “We couldn’t get the distribution so we sold the records right out of the store.” Art Sheridan licensed Ora Nelle 711 "(Ora-Nelle Blues") for reissue on his Chance label. It was the only reissue from the label to take place before the blues revival of the 1960s. Part of his agenda is revealed by the retitling of this side, as "That's Alright." For "Ora Nelle Blues" was the same piece as "That's All Right," which in the meantime had become a hit for Jimmy Rogers—on Chess in 1950. Rogers teamed up with Little Walter again on sides issued circa 1950 on the Regal and Herald labels; "Muskadine Blues", "Just Keep Lovin' Her" and "Boll Weevil" all of which featured Baby Face Leroy and Muddy Waters. Rogers hooked up with Walter again in 1952 classic "Juke b/w Can't Hold Out Much Longer" for Chess.
In 1949 Rogers backed Memphis Minnie for the Regal label and cut an early version of ‘‘Ludella,’’ for the label which he recut in 1950 at his first Chess Records session. 1949 aslo saw some unreleased sides cut for Tempo-Tone and Apollo where he recorded a version of "That's Alright." That year he also accompanied Muddy Waters as a sideman on “Screaming and Crying,” which initially came out on the Aristocrat label, soon renamed Chess Records. For the next half-decade, Rogers was a mainstay of the Waters band onstage and in the studio. With "That’s All Right" on the other side, Rogers' first release became a two-sided hit. The full Muddy Waters band had yet to back Muddy on records, the label preferring the simpler sound of Muddy and an upright bass; however, Chess let the band record with Rogers as the leader, beginning in December 1950. A year later, they began regularly recording with Muddy. Rogers continued to perform and record with Muddy, even as his solo career took off. When "Juke" became a hit for Little Walter, Muddy’s band boasted a line-up with three stars. Through the early 1950's, Rogers was on nearly all of Muddy’s major hits: "Standing Around Crying," "She’s All Right," "Mad Love (I Want You to Love Me)," "I’m Your Hoochie Coochie Man," "I Just Want to Make Love To Love To You", I’m Ready," and more.
Around late 1956, Jimmy departed the Waters band to go solo, but the two remained close friends. Beginning with 1950’s “That’s All Right” b/w “Ludella,” Rogers’ Chess 78's rank right up there with Muddy’s as some of the finest examples of postwar Chicago blues. Among the highlights are 1950’s “Goin’ Away Blues,” 1954’s “Chicago Bound” and “Sloppy Drunk,” with backing by Muddy Waters and Willie Dixon, and 1956’s “Walking By Myself,” Rogers’ highest-charting record. After playing for about a year in Wolf’s band Rogers virtually retired from music for a time during the '60s, operating a Westside clothing shop that burned down in the aftermath of Dr. Martin Luther King's tragic assassination. He did cut a single for Carl Jones' C.J. label in 1966.
Rogers returned to the studio in 1972 for Leon Russell's Shelter logo, cutting his first LP, Gold-Tailed Bird (with help from the Aces and Freddie King). There were a few more soli albums but he wasn't as prolific as he might have been. We close our show with Rogers and Muddy reuniting on a update of "That's Alright" from the album I'm Ready, the second of Waters' Johnny Winter-produced albums for the Blue Sky Records label. I'm Ready was issued one year after he found renewed commercial and critical success with Hard Again. The album earned Waters a Grammy Award in 1978 and reunited Waters with Walter Horton as well. Muddy and Rogers did occasional gigs together thereafter, until Muddy’s death in 1983.