|Shirley Griffith||River Line Blues||Saturday Blues|
|Shirley Griffith||Saturday Blues||Saturday Blues|
|Shirley Griffith||Big Road Blues||Saturday Blues|
|Alec Seward||Evil Woman Blues||Creepin' Blues|
|Alec Seward||Big Hip Woman||Creepin' Blues|
|Alec Seward||Made A Mistake In Love||Creepin' Blues|
|Robert Curtis Smith||Sunflower River Blues||Clarksdale Blues|
|Robert Curtis Smith||Put Your Arms Around Me||Clarksdale Blues|
|Wade Walton||Parchman Farm||Shake 'Em On Down|
|Wade Walton||Shake 'Em On Down||Shake 'Em On Down|
|Brooks Berry & Scrapper Blackwell||'Bama Bound||My Heart Struck Sorrow|
|Brooks Berry & Scrapper Blackwell||Can't Sleep For Dreaming||My Heart Struck Sorrow|
|Henry Townsend||Cairo Is My Baby's Home||Tired Of Being Mistreated|
|Henry Townsend||Tired Of Being Mistreated||Tired Of Being Mistreated|
|J. T. Adams & Shirley Griffith||Matchbox Blues||Indiana Ave. Blues|
|J. T. Adams & Shirley Griffith||Oh Mama How I Love You||Indiana Ave. Blues|
|J. T. Adams & Shirley Griffith||Bright Street Jump||Indiana Ave. Blues|
|Shirley Griffith||Bye Bye Blues||Saturday Blues|
|Shirley Griffith||Left Alone Blues||Saturday Blues|
|Shirley Griffith||Shirley's Jump||Saturday Blues|
|Robert Curtis Smith||Council Spur Blues||Clarksdale Blues|
|Robert Curtis Smith||Can You Remember Me||Clarksdale Blues|
|Robert Curtis Smith||I Hate To Leave You With Tears In Your Eyes||Clarksdale Blues|
|Brooks Berry & Scrapper Blackwell||Live Ain't Worth Living||My Heart Struck Sorrow' Blues|
|Brooks Berry & Scrapper Blackwell||Blues Is A Feeling||My Heart Struck Sorrow|
|Brooks Berry & Scrapper Blackwell||Asked Her If She Loved Me||My Heart Struck Sorrow|
|Henry Townsend||I Asked Her If She Loved Me||Tired Of Being Mistreated|
|Henry Townsend||I Got Tired||Tired Of Being Mistreated|
|Henry Townsend||All My Money Gone||Tired Of Being Mistreated|
|J. T. Adams & Shirley Griffith||Done Changed The Lock On My Door||Indiana Ave. Blues|
|J. T. Adams & Shirley Griffith||Blind Lemon's Blues||Indiana Ave. Blues|
|Read Liner Notes|
From 1949 through 1971, Prestige Records, owned and run by Bob Weinstock, was among the most famous and successful of the independent jazz labels. By the late 50's the company was looking to branch out and new categories were created within the Prestige catalog. There was the Folklore series, there was Moodsville, Swingsville and then there was Bluesville. An important factor was the release in 1959 of Samuel Charter's ground breaking book The Country Blues. In 1961 Charter's hooked up with the label and played a important role getting talent for the label and did much of the producing. In addition to Charters there were a number of others including Mack McCormick of Houston who provided a slew of Lightnin' Hopkins records,Chris Strachwitz who would form Arhoolie Records, Art Rosenbaum who recorded Indianapolis artists Scrapper Blackwell, Shirley Griffith and J.T. Adams and Chris Albertson who was instrumental in getting Lonnie Johnson back in the studio. Bluesville's roster grew quickly including artists such as Reverend Gary Davis, Sonny Terry & Brownie McGhee, Roosevelt Sykes, Big Joe Williams, Jimmy Witherspoon and Memphis Slim among numerous others. A number of older artists such as Tampa Red and particularly Lonnie Johnson found a new home at Bluesville in which to revitalize their careers. In addition the label also caught some important artists on record for the first time or who recorded very little including Pink Anderson (except for two sides cut in the 20's), Baby Tate, Wade Walton and Doug Quattlebaum to name a few. The bulk of of Bluesville's catalog has been issued on CD except for a handful of excellent records we spotlight today.
Shirley Griffith was a deeply expressive singer and guitarist who learned first hand from Tommy Johnson as a teenager in Mississippi. Griffith missed his opportunity to record as a young man but recorded three superb albums: Indiana Ave. Blues (1964, with partner J.T. Adams), Saturday Blues (1965) and Mississippi Blues (1973). All thee records are long out of print. Born in 1907 near Brandon, Mississippi Griffith was certainly old enough to have made records in the 1920's and 30's and in fact had at least two opportunities to do so. In 1928 his friend and mentor, Tommy Johnson, offered to help him get started but, by his own account, he was too "wild and reckless" in those days. In 1928 he moved to Indianapolis where he became friendly with Scrapper Blackwell and Leroy Carr. In 1935 Carr offered to take Griffith to New York for a recording session but Carr died suddenly and the trip was never made. It was Art Rosenbaum who was responsible for getting Griffith on record and produced Griffith's Bluesville albums. Griffith did achieve modest notice touring clubs with Yank Rachell in 1968, performed at the first Ann Arbor Blues Festival in 1969 and appeared at the Notre Dame Blues Festival in South Bend, Indiana in 1971. He passed away in 1974
John Tyler Adams was born in Western Kentucky and it was his father who started him out on guitar. In 1941 he went up North, eventually settling in Indianapolis. Adams became good friends with Shirley Griffith and at the time of his first recordings had been playing together for fifteen years. Adams recorded just one album, Indiana Ave. Blues (1964) on Bluesville with Griffith with other sides appearing on the album Indianapolis Jump issued on Flyright.
|Read Liner Notes|
Alec Seward was born in Charles City County, Virginia and relocated to New York in 1942 where he befriended Brownie McGhee and Sonny Terry. He met Louis Hayes and the duo performed variously named as the Blues Servant Boys, Guitar Slim and Jelly Belly, or The Back Porch Boys. The duo recorded sides in 1944 and another batch in 1947. During the 1940's and 1950's Seward played and recorded with Lead Belly, Woody Guthrie, McGhee and Terry. Creepin' Blues (with harmonica accompaniment by Larry Johnson) was released by Bluesville in 1965 and never issued on CD. Later in the decade Seward worked in concert and at folk-blues festivals. He died at the age of 70, in New York in May 1972.
One of Clarksdale's most talented and renowned blues musicians, Wade Walton (1923-2000) chose to pursue a career as a barber rather than as a professional entertainer. Walton never lost his love for blues, however, and often performed for customers and tourists at his barbershops. Walton came to the attention of the international blues community after two California college students in search of folk and blues musicians, Dave Mangurian and Don Hill, visited him in 1958. Walton went with the pair to Parchman, where their request to record prisoners' songs were declined and became the topic of a song Walton composed after the encounter. On a return trip in 1961, the students were jailed, but after concluding that they were indeed in town to record blues, not to agitate for civil rights, the case was dismissed. They then traveled with Walton to New Jersey for the recording of his album for Bluesville Records, Shake 'Em On Down.
Brooks Berry was born in March, 1915, in western Kentucky and when she was in her middle teens moved up to Indianapolis, where she lived ever since. As producer Art Rosenbaum wrote: "Brooks met Scrapper shortly after she moved to Indianapolis and thus began a long though at times stormy friendship that was to end suddenly some fifteen months after the last of the present recordings were made. On October 6, 1962. Scrapper was shot to death in a back alley near his home. Brooks has been, during the four years I have known her, reluctant to sing blues without her friend's sensitive guitar or piano playing behind her; and she will sing less and less now that he is gone." Her lone album under her own name was My Heart Struck Sorrow with Blackwell. Some additional sides by Berry and Blackwell appear on the collection Scrapper Blackwell with Brooks Berry 1959 – 1960 on Document and recorded live at 144 Gallery in Indianapolis, Ind in 1959.
Henry Townsend, who has died aged 96 in 2006, had been the last blues musician who could trace his recording career back to the 1920s, having sat down before a recording microphone in November 1929 to sing his "Henry's Worried Blues" for Paramount. He was born in Shelby, Mississippi, but grew up in St Louis. In his late teens he became interested in playing the guitar and began to infiltrate a circle of musicians that included Lonnie Johnson, Roosevelt Sykes and Peetie Wheatstraw. He recorded steadily, if not prolifically, through the decades cutting fine sides with Walter Davis through the 50's, a superb record for Bluesville in the 60's and in 1980 one of his finest records, Mule for the Nighthawk label. Townsend's Bluesville album has also been issued on Folkways as The Blues In St. Louis Vol. 3.
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A chance meeting with Chris Strachwitz, founder of Arhoolie Records, at the Big 6 Barber Shop in Clarksdale led to Robert Curtis Smith's the lone album, Clarksdale Blues, recorded in 1961. The record didn't seem to make much of an impact, sinking without a trace and over the year becoming highly collectible. In the liner notes Mack McCormick wrote: "Robert Curtis Smith is a hard working farm laborer in upper Mississippi. He supports a wife and eight children by driving a tractor ($3 a day top) during the farming season, by hunting rabbits in the winter. He has a borrowed guitar with which he sings of women he has loved, lost, discarded, or found worthy of erotic praise. …The status quo in his world is to sap the strength and exploit the weakness of Negroes. It is a far more vicious crime than the occasional lynching since the end result is the massive weakening of a strong people. Ideas of inferiority are fed to him hand-in-hand with conditions that patently are inferior. Badly deprived of constitutional privilege and the minimum wage, and lacking the know-how to correct his situation, Smith’s way of life is astonishingly out of step with modern times." A few other tracks by Curtis appear on various anthologies including some excellent 1960 numbers on the Arhoolie collection I Have to Paint My Face: Mississippi Blues 1960. Smith disappeared from the blues world not long after these recordings but 30 years later he was rediscovered living in Chicago. He had given up blues in the passing years, but he continued to play in church and was recorded performing gospel numbers in 1990 on the anthology From Mississippi to Chicago. Eventually Wade Walton became aware of Smith's whereabouts; this led to his appearance at the 1997 Sunflower River Blues Festival in Clarksdale. By one account it was an uncomfortable performance and I'm not sure if Smith did any follow-up concerts.Smith passed in 2010.