Sun 8 Jun 2014
|James "Pee wee" Madison||Last Night||The Bluesmen of the Muddy Waters Chicago Blues Band, Vol. 2|
|Otis Spann||Wonder Why||The Bluesmen of the Muddy Waters Chicago Blues Band, Vol. 2|
|Muddy Waters Band||Blues For Spivey||The Bluesmen of the Muddy Waters Chicago Blues Band, Vol. 2|
|Otis Spann||Diving Mama||The Bluesmen of the Muddy Waters Chicago Blues Band, Vol. 2|
|Otis Spann||She's My Baby||The Bluesmen of the Muddy Waters Chicago Blues Band, Vol. 2|
|Babe Stovall||My Brown Is A Mistreater||Encore! for the Chicago Blues|
|Big Joe Williams||Move Your Hand||Encore! for the Chicago Blues|
|John Henry Barbee||Six Week Old Blues||Encore! for the Chicago Blues|
|Olive Brown||Woman's Lament||Encore! for the Chicago Blues|
|J.B Lenoir||Korea Blues||Encore! for the Chicago Blues|
|Roosevelt Sykes||Dirty Mother Fuyer||Encore! for the Chicago Blues|
|Big Joe Williams||Drifting Blues||Kings and the Queen Volume Two|
|Memphis Sim||European Blues||Kings and the Queen Volume Two|
|Roosevelt Sykes||Sleeping All Day Blues||Kings and the Queen Volume Two|
|Bukka White||Brownsville Tennessee||Spivey's Blues Cavalcade|
|Johnny Shines, Big Walter Horton & Sunnyland Slim||Nidnight Darling||Spivey's Blues Cavalcade|
|Buster Benton||I Must Have A Hole In My Head||The All Star Blues World of Maestro Willie Dixon and his Chicago Blues Band|
|Carey Bell||One Day You're Going To Get Lucky||The All Star Blues World of Maestro Willie Dixon and his Chicago Blues Band|
|Larry Johnson||My Hoodoo Doctor||The All Star Blues World of Maestro Willie Dixon and his Chicago Blues Band|
|Victoria Spivey||I'm Taking Over||The All Star Blues World of Maestro Willie Dixon and his Chicago Blues Band|
|Otis Spann||I'm Accused||Up in the Queen's Pad|
|Otis Spann||Vicksburg Blues||Up in the Queen's Pad|
|Sunnyland Slim||Blues Drive Me Out Of My Mind||Victoria Spivey Presents The All Stars BLUES WORLD of Spivey Records in Stereo|
|Cryin' Marie Dixon||Three O'Clock In The Morning||Victoria Spivey Presents The All Stars BLUES WORLD of Spivey Records in Stereo|
|Lonnie Johnson||Be Careful||Kings and the Queen Volume Two|
Spivey Records was a blues record label, founded by blues singer Victoria Spivey and her partner and jazz historian Len Kunstadt in 1961. The label was originally called Queen Vee Records, changing the name to Spivey records the following year. I believe only a couple of 45's were issued under the Queen Vee imprint. Spivey Records released a series of blues and jazz albums between 1961 and 1985. Most sessions took place at New York’s famous Cue Studios, some happened late at night at Victoria and Lenny's home studio while others took place at informal setting like hotel rooms or even at Willie Dixon's home in Chicago. Spivey put out some very eclectic records, with varying quality but through Spivey's connections she managed to get top notch artists to record for her including Big Joe Williams, Lonnie Johnson, Roosevelt Sykes, Otis Spann, Memphis Slim among many others. Spivey died in 1976 but the label continued until the death of Len Kunstadt in 1996. The whole catalog included some forty albums. Today is part two of our selective look at the Spivey label, focusing on the records and sessions done before Spivey passed away. The bulk of the Spivey catalog has never been issued on CD. Below is a summary of today's featured albums.
|Read Liner Notes||Read Liner Notes|
Spivey's companion Len Kunstadt was the editor and publisher of Record Research magazine, which he founded in the late 1950's and was Spivey's agent, manager and long time partner. In an interview with Norbert Hess he had this to say: "Victoria knew the musicians and scouted for new talent. This went on for 16 years. In my opinion, from 1961 up to her death in 1976, she was more creative than ever before. Her fantastic way of winning over Willie Dixon and Muddy Waters for our company, and her concern for Bob Dylan. Sometimes I thought she was crazy. I could tell a lot of stories. The musicians would have killed for her. At first, they didn't like her, but after a split second they became her fans up to the very end. She was sometimes a little difficult because she was a genius."
|Photo from Otis Spann's 1967 Bluesway session: l to r – Otis Spann, Lucille Spann, Len Kunstadt, Victoria Spivey and Muddy Waters (photo by Denns Chalkin).|
Before summarizing today's featured albums it's worth giving some background on Spivey's career. Spivey learned to play piano and sing when she was quite small, and by age twelve she was performing at the Lincoln Theatre, until the manager discovered she couldn’t read music. She continued to play at house parties and clubs, learning from local musicians such as John Calvin, and occasionally sharing a gig with Blind Lemon Jefferson. By age twenty, she had moved to St. Louis, where she made her first record for OKeh, the legendary "Black Snake Blues." The year 1928 saw Spivey teaming up with Lonnie Johnson to record a number of double-entendre vocal duets that sold quite well, but she continued to write songs and record for OKeh until she took time off to appear in King Vidor’s film Hallelujah in 1929. When she returned to the recording studio in late 1929, she was under contract to Victor. Spivey continued to record throughout the 1930s, for both Decca and Vocalion, and as her recording career ended, she hit the road, traveling with the Olsen and Johnson’s "Hellzapoppin’" troupe, owning a club in East St. Louis, and finally retiring to work in the church. But in the 1960's she came out of retirement to appear at clubs such as Gerdes Folk City. Before forming her label she reunited with Lonnie Johnson appearing on his album Idle Hours for Bluesville in 1961, he in turn backed her on her album Woman Blues and she also appeared on Songs We Taught Your Mother alongside Alberta Hunter and Lucille Hegamin. There was also a session for Folkways in 1962. Beginning in 1962 Spivey wrote a semi-regular column in Record Research called Blues Is My Business.
Victoria Spivey Presents The All Stars BLUES WORLD of Spivey Records in Stereo was the eleventh record on the Spivey label. The album comprises of sessions recorded at Willie Dixon home in Chicago in 1969 and sessions done in New York in 1970. Dixon is helped out by hs Blues All Stars which include Sunnyland Slim, Johnny Shines, Clifton James and Cryin’ Marie Dixon. Accoring to the notes there's big news: "ATTENTION: SMOKEY HOGG IS NOT DEAD!!" At least that's what Victoria Spivey thought when she "rediscovered" him in Brooklyn, N.Y. and what Len Kunstadt thought when he penned the liner notes for the album. Smokey actually passed in 1960 and this was Willie Anderson Hogg. He calimed to have recorded in the pre-war era but these sides for Spivey are his only know legacy.
|Read Liner Notes|
The Muddy Waters band cut two albums for Victoria Spivey's Spivey label: The Bluesmen of the Muddy Waters Chicago Blues Band (1966) and The Bluesmen of the Muddy Waters Chicago Blues Band Vol. 2 (1968). The Muddy Waters records are the only ones I know that have been issued on CD. These came out on the Japanese P-Vine label with several extra tracks. Today we feature tracks from the second volume. Muddy Waters is listed as "Main Stream" for contractual reasons and probably doesn't play on all the tracks. These sessions were recorded after a 1966 date at New York's Cafe Au Go Go. The performance was written up by Len Kunstadt in Record Research 83 (1967) and concludes with "Victoria Spivey, perhaps their greatest fan, and a lucky devil, was fortunate to capture some of the sounds of Otis, George, Luther, Sammy and Francis for the latest release on the Spivey label." As Kunstadt wrote of their live performance: "There was a combustible spark in the atmosphere – and every time Muddy would hit the stand and tell the throng 'He Had Been Mistreated' or he was the 'Hootchie Cootchie Man' or he would confide in you about his 'Five Long Years' the audience exploded into applause and rapport. Muddy and his band were keyed to greatness. OTIS SPANN, Muddy's 'Little Brother', was the anchor man and cohesive agent of the group with his brilliant dominant blues piano."
Otis Spann appears on several Spivey albums including both volumes of the The Bluesmen of the Muddy Waters albums, The Everlasting Blues vs. Otis Spann and Up In The Queen's Pad. As Spivey wrote in a column in Record Research magazine in 1970 shortly after Otis' passing: “He was like a son, a brother and what a pal. Otis came into my life in 1963 during that American Folk Blues Festival (same one with Lonnie!) that toured all over Europe. …The European tour was really fine but Otis and his crazy lovable ways made it wonderful.”
|Read Liner Notes|
Encore! for the Chicago Blues was the ninth album on the Spivey label and a sequel to Chicago Blues
A Bonanza All Star Blues LPreleased in 1964. According to the notes: "This album is a sequel anthology to Spivey LP 1003 which commentated Victoria Spivey's first visit to Chicago in over 25 years. An informal blues party was given by host Willie Dixon in which such colorful talented artists as Homesick James, St. Louis Jimmy, Sunnyland Slim, Washboard Sam, Koko Taylor, Evans Spencer, John Henry Barbee and Willie himself, Miss Spivey by recording for her youthful record company. …Most of the artists are back again. In addition bonus tracks from studio and field recordings by other fine performers supplement the 'regulars'."
Kings And The Queen Volume Two was issued in 1970 and a sequel to Three Kings And The Queen issued several years earlier. Some of these sessions are likely from the same as the first volume and others probably later. Once again Bob Dylan appears alongside Victoria and Big Joe on a couple of songs. Alos appearing are Lonnie Johnson, Memphis Slim and Roosevelt Sykes. Both volumes of have been reissued on the European Doxy label on 180 gram vinyl only releases.
Spivey's Blues Cavalcade was issued in 1970 and the fifteenth album on the Spivey label. This is a grab bag of tracks with some of these recorded in the 60's – leftover tracks from previous Spivey albums.
By the end of the 1960s, Willie Dixon was eager to try his hand as a performer again, a career that had been interrupted when he'd gone to work for Chess as a producer. He recorded an album of his best-known songs, I Am the Blues, for Columbia Records, and organized a touring band, the Chicago Blues All Stars, to play concerts in Europe. Among the albums he cut during this period was 1973's Victoria Spivey presents The All Star Blues World of Maestro Willie Dixon and his Chicago Blues Band. This is a terrific outing spotlighting a great band that included Buster Benton, Carey Bell, Lafayette Leake and Larry Johnson.
Victoria Spivey began endorsing Otis Spann, telling the world of his genius – in her own inimitable way – via the pages of of her column in Record Research, and sporadically recording him for her Spivey Records label between 1967 and 1969. The sessions that comprise Up In The Queen's Pad were recorded in 1968 and 1969 at Spivey's home in Brooklyn backed by guitarist Sammy Lawhorn. The album was issued posthumously, possibly around 1980. One other song from this session appears on the album Spivey's Blues Showcase.