Sun 16 Dec 2012
|Drop On Down In Florida Feature||Interview & Music|
|Lum Guffin||On The Road Again||On The Road – Country Blues 1969-1974|
|Lum Guffin||Old Country Blues||Old Country Blues Vol. 1
|Ashley Thomas||Sweet Peace||Old Country Blues Vol. 1
|Perry Tillis||Kennedy Moan||Too Close|
|Dewey Corley||Last Night||On The Road – Country Blues 1969-1974|
|William Floyd||Every time I Need You||Southern Comfort Country
|Walter Miller||Sherman's Blues||Old Country Blues
|Lattie Murrell||Howling In The Moonlight||45|
|Lattie Murrell||When A Gal Cross The Bottom||Old Country Blues
|Lincoln Jackson||Big Fat Woman||Old Country Blues|
|William Davis Floyd||Why Did I Have To Leave Cairo?||Southern Comfort Country|
|Joe Townsend||Take Your Burdens To The Lord||Southern Comfort Country|
|David Johnson||Let The Nation Be Free||Southern Comfort Country|
|Lum Guffin||Johnny Wilson||On The Road Again|
|Walter Miller||Stuttgart Arkansas||On The Road Again|
|Lattie Murrell||Spoonful||On The Road Again|
On today’s program we spotlight field recordings taped mainly in the 70’s in Alabama, Tennessee and Florida. In the first hour we hear recordings from a new reissue on the Dust-To-Digital label, Drop on Down in Florida: Field Recordings of African American Traditional Music, 1977 – 1980. This an expanded reissue of a 2-LP set that first came out in 1981. The expanded reissue includes nearly 80 previously-unreleased minutes of music on 28 new tracks, plus numerous photos and a lengthy booklet. In a addition we chat with Dwight Devane who was involved in putting together the original 2-LP set, Blaine Wade the State Folklorist from Florida and Lance Ledbetter from Dust-To-Digital.
Florida, probably due to geography, was not well documented in terms of blues recordings. The popularity of blues was growing rapidly in the 1920's and to feed the demand record companies conducted exhaustive searches for new talent, which included making trips down south with field recording units. Between 1927-1930 Atlanta was visited seventeen times, Memphis eleven times, Dallas eight times, New Orleans seven times and so on. No trips, however made it down to Florida. There was field recordings done in the pre-war era, most notably 1935 recordings made by Alan Lomax, Elizabeth Barnicle and Zora Neal Hurtson that resulted in recordings for the Library of Congress. In the mid-70's the Flyright label issued this material on the LP's Out In The Cold Again: Library Of Congress Field Recordings Vol. 3 and Boot That Thing: Library Of Congress Field Recordings Vol. 4. In the 1960's and 70's there was much field recording work done by men such as David Evans (who was involved in this project), Peter Lowry, George Mitchell, among others, but none ventured to Florida. This sparseness of recordings makes Drop on Down in Florida all the more valuable.
|Emmett Murray (left) and Johnny Brown (right)|
For the second hour we hear recordings by Bengt Olsson who taped some superb field recordings in Tennessee and Alabama between 1969 and 1974. He was also a very good writer as the liner notes he wrote prove and also authored the classic Memphis Blues and Jug Bands which was published in 1970 by Studio Vista and now long out-of-print. His life's work, Memphis Blues, was slated to be published by Routledge in 2008 but with Olsson's passing in January of that year it looks like the book has been permanently shelved. Olsson first came to the United States in 1969, first to Chicago and then to Memphis were he made some recordings. Olsson was back in 1971, where he made recordings in Memphis and Alabama. He recorded several talented artists including Lum Guffin (his album Walking Victrola was issued on Flyright), Lattie Murrell and Perry Tillis among others.
In addition to the Lum Guffin record, Olsson's recordings have been issued on three compilations on the Flyright label. Some of these recordings appear on the CD On the Road – Country Blues 1969-1974. Several years back Birdman Records purchased Olsson's entire library of recordings. So far the label has issued two releases: Old Country Blues Vol. 1 and Bishop Perry Tillis: Too Close. In 2010 the Sutro Park label issued a vinyl album titled Wolf's At The Door: Lost Recordings From The Spirits Of The South which included some unreleased recordings by Olsson.
Olsson recorded Lum Guffin between 1972 and 1974, with a few tracks appearing on anthologies and the rest on his only ful-length album, Walking Victrola, issued on the Flyright label in 1973. Further field recordings were made in 1978 by Gianni Marcucci and issued on his Albatros label. Guffin performed as a street musician around Binghampton, Memphis during the depression with his sometime partner, mandolin player ‘Chunk’ McCullough or at home for various social gatherings, picnics, dances, etc. Guffin also performed in a fife and drum band during the time of these recordings. He passed in 1993.
|Read Liner Notes|
Dewey Corley was the leader of the Beale Street Jug Band from the '30s onward, and played jug, washtub bass and kazoo. In his later years, he also acted as an A&R man, helping record companies such as Adelphi scout out missing Memphis blues legends such as Hacksaw Harney and guitarist Willie Morris. Corley was influenced by Will Shade, joining Shade's Memphis Jug Band and was also a member of Jack Kelly's South Memphis Jug Band and also backed quite a few of the city's diverse bluesmen in duo and trio settings. His own Beale Street Jug Band was a most successful venture and became a fixture in Memphis for nearly three decades. He cut several fine sessions in the 60's and 70's. Ashley Thompson was another jug band veteran, part of the vital jug band scene in Memphis in the '20s and '30s, working as a guitarist and vocalist in Gus Cannon's Jug Stompers.
Dewey Corley introduced Olsson to many of the city's overlooked older blues musicians. In Somerville, Tennessee, 1971, Olsson set up shop in a bootlegger's shack to record Lattie "The Wolf" Murrell, whose nickname stems from his great ability to mimic the vocal mannerisms of Howlin' Wolf. Murrel was record again in 1980 by Axel Kunster.
In the early 70 Begnt Olsson found himself in Coffee County, Al in search of blues musicians. They were soon pointed to the house of Joe Perry Tillis. Tillis had recently become blind but was travelling and playing blues just a few years prior. Now he was playing just gospel and spiritual music. They made some reel to reel recordings that day and came back to record more a few weeks later. In 1972 Olsson hired musicologist Bill Bart to record Tillis and found that Tillis had amplified his music. In his younger days Tillis had played blues all over the southeast and as far as California. During his travels he met Muddy Waters, John Lee Hooker and sometimes in the 40’s met Blind Willie Johnson whom he performed a couple of shows with. Tillis and his wife formed their own church in the late 70’s through. He regularly recorded his services on cassette. Tillis passed at the age of 85 in 2004.
–Drop On Down In Florida Feature (MP3, 60 min)
–Drop On Down In Florida Feature (MP3, 60 min)