Big Road Blues

Mississippi John Hurt’s “Avalon” Blues” provided a road map some thirty plus years later to the singer just as Bukka White’s “Aberdeen Mississippi Blues” led to the rediscovery of White (John Fahey and Ed Denson addressed a letter to “Bukka White (Old Blues Singer), c/o General Delivery, Aberdeen, Mississippi”). Similar, but more roundabout was a clue the mysterious King Solomon Hill left back in 1932. In 1966 Stephen Calt contacted blues detective Gayle Dean Wardlow writing that he heard “goin’ Minden” in King Solomon Hill’s “The Gone Dead Train.” That correspondence led to the unraveling of one of the blues greatest mysteries. “… I went to Minden and began asking people on the streets in the black section if they heard of a King Solomon Hill who made records in 1932. One of them said, after listening to the King Solomon Hill cuts from the Sam Collins LP ( Origin Jazz Library OJL-10), ‘That sho’ ’nuff sounds like Joe Holmes. You go down there to Sibley. That where he come from.’” Sibley was the hometown of Holmes which resulted in Wardlow’s King Solomon Hill (78 Quarterly no. 1 (1967): 5-9) and One Last Walk Up King Solomon Hill (Blues Unlimited no. 148 (Winter 1987): 8-12) both reprinted in the book Chasin’ That Devil Music.

Roberta Allums, who was once married to Joe Holmes, is pictured here with (unidentified) neighbor holding a 1932 King Solomon Hill record. Photo Gayle Wardlow

Both Mississippi John Hurt and Bukka White were duly rediscovered and went on to successful comebacks during the blues revival. No such luck for King Solomon Hill who according to his ex-wife died in 1949. Hill’s legacy is the six sides he cut for Paramount in 1932: “Whoopee Blues”, “Down On My Bended Knee”, “The Gone Dead Train”, “Tell Me Baby”, “My Buddy Blind Papa Lemon” and “Times Has Done Got Hard.” The last two numbers were not found until 2002 by record collector John Tefteller. It seems particularly true in blues that quantity has no bearing on artistic achievement and obscure artists have issued music on par with their more established peers. King Solomon Hill is a case in point, all six sides small three minute masterpieces in there own way. King was closely connected to Crying Sam Collins and Blind Lemon Jefferson and their influence is evident, to some degree, in Hill’s style. Hill’s records are utterly captivating featuring his eerie falsetto and a raw, slide style featuring irregular rhythms and notes said to be stretched out by the use of a cow bone. The integration between his free form slide guitar and vocals perfectly compliment one another. “Whoopee Blues” is a version of Lonnie Johnson’s 1930 number “She’s Making Whoopee in Hell Tonight” although with a totally different guitar part and with a bleak, haunting quality missing in Johnson’s version. The flip side is the equally compelling “Down On My Bended Knee.” The Gone Dead Train” may be his finest number, a magnificent train blues apparently about a railroad disaster. The flip side, “Tell Me Baby”, is variation of Memphis Minnie’s 1930 number “What Fault You Find of Me, again with a different guitar part and given a wholly original treatment. If anything, the newly discovered Hill sides confirm his genius; “My Buddy, Blind Papa Lemon”is a heartfelt tribute to someone Hill clearly admired: “Hmmm then the mailman brought a misery to my head/When I received a letter that my friend Lemon was dead.” Hill ran with Lemon for about two months after he passed through Minden. Hill’s widow recalled that “he sung that song a whole lot ’bout Blind Lemon. Said he loved his buddy ‘some way better than anyone I know.’” “Times Has Done Got Hard” is a superb hard time blues opening with knocking notes on the guitar as he sings “That’s the rent man/You know it must got tough he coming here before rent’s due/Ahh baby, sorry we got to move.”

Those who’ve been enthralled with haunting, otherworldly sounds of Robert Johnson and Skip James would do well to listen to King Solomon Hill, one of the more intriguing footnotes in pre-war blues history. With the newly discovered sides there is no one collection that contains all of Hill’s recordings. Six sides can be found on Document’s Backwood Blues 1926-1935, the newly found sides can be found oh the JSP set When The Levee Breaks plus several Hill tracks appear on various Yazoo compilations with superior remastering. Also make sure to make read Wardlow’s Chasin’ That Devil Music which details the known facts of Hill’s life and is an all around essential read for fans of early blues.

Whoopee Blues (MP3)

Down On My Bended Knee (MP3)

The Gone Dead Train (MP3)

Tell Me Baby (MP3)

My Buddy Blind Papa Lemon (MP3)

Times Has Done Got Hard (MP3)