Christmas Blues


I just want t wish everyone a happy holiday and to thank all our loyal  listeners who enjoy the show we've put out weekly for the past ten years. Big Road Blues will be off the next two weeks although we will airing shows from our archives those weeks. In the meantime have a great holiday and behave yourselves – you don't want to be like Leroy Carr and spend Christmas in jail!

I'll leave you with a  Christmas show we aired a few years back. I've been doing a Christmas blues show for many years and was always frustrated with the lack of a really good collection of early blues Christmas songs. In 2005 I hooked up with the Document label to put together a 2-CD, 52 track collection of blues and gospel songs from the 1920's to the 1950's called Blues, Blues Christmas. The record proved to be popular and a second volume was released in 2009, a third volume in 2013 and finally a fourth volume in 2015. Most of today's tracks come from those collections. You can read the liner notes to those collections by visiting my writing page.

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ARTISTSONGALBUM
Kansas City Kitty Christmas Mornin' BluesBlues, Blues Christmas Vol. 1
Leroy Carr Christmas In JailBlues, Blues Christmas Vol. 1
Rev. J.M. Gates Did You Spend Christmas Day In Jail?Blues, Blues Christmas Vol. 1
Herman (Harmon) Ray Xmas BluesBlues, Blues Christmas Vol. 1
Champion Jack Dupree Santa Claus BluesBlues, Blues Christmas Vol. 4
Roy Milton And His Solid Senders Christmas Time BluesBlues, Blues Christmas Vol. 4
Cecil Grant Hello Santa ClausBlues, Blues Christmas Vol. 1
Rev. DC Rice Do You Call That Wonderfu CounsellorBlues, Blues Christmas Vol. 3
Frankie ''Half-Pint'' JaxonChrist Was Born On Christmas Morn' Blues, Blues Christmas Vol. 1
Titus Turner Christmas Morning BluesBlues, Blues Christmas Vol. 1
Lionel Hampton w/ Sonny ParkerMerry Christmas BabyBlues, Blues Christmas Vol. 1
J.B. Summers w Doc Bagby's Orchestra I Want A Present For ChristmasBlues, Blues Christmas Vol. 1
Johnny Otis Happy New Year BabyBlues, Blues Christmas Vol. 1
Blind Lemon Jefferson Christmas Eve BluesBlues, Blues Christmas Vol. 1
Marry Harris No Christmas BluesBlues, Blues Christmas Vol. 2
Victoria Spivey Ain't Gonna Let You See My Santa ClausBlues, Blues Christmas Vol. 3
Clarence GarlowLet me Be Your Santa The Legendary Jay Miller Sessions Vol. 2
Jimmy Butler Trim Your TreeBlues, Blues Christmas Vol. 1
Big Joe Turner & Pete Johnson Christmas Date BoogieBlues, Blues Christmas Vol. 1
Larry DarnellChristmas BluesBlues, Blues Christmas Vol. 1
B.B. King Christmas Celebration Blues, Blues Christmas Vol. 3
Freddy King I Hear Jingle BellsBlues, Blues Christmas Vol. 4
Lonnie Johnson Happy New Year Darling Blues, Blues Christmas Vol. 1
Roy Milton & His Solid Senders New Year's Resolution BluesBlues, Blues Christmas Vol. 1
Lightnin' Hopkins Happy New YearBlues, Blues Christmas Vol. 1
Bessie Smith At The Christmas BallBlues, Blues Christmas Vol. 1
Bertha ''Chippie'' HillChristmas Man BluesBlues, Blues Christmas Vol. 1
Butterbeans & SusiePapa Ain't No Santa ClausBlues, Blues Christmas Vol. 1
Goree Carter Christmas TimeBlues, Blues Christmas Vol. 4
Hop Wilson Merry Christmas DarlingBlues, Blues Christmas Vol. 3
Ralph Willis Christmas BluesBlues, Blues Christmas Vol. 1
Sonny Boy Williamson II Sonny Boy's Christmas BluesBlues, Blues Christmas Vol. 1
Robert Nighthawk Merry Christmas Blues Southside Chicago

Show Notes:

bluesxmas xmasblues2
xmas3 xmas4

 

I've been doing a Christmas blues show for many years and was always frustrated with the lack of a really good collection of early blues Christmas songs. In 2005 I hooked up with the Document label to put together a 2-CD, 52 track collection of blues and gospel songs from the 1920's to the 1950's called Blues, Blues Christmas. The record proved to be popular and a second volume was released in 2009, a third volume in 2013 and this year sees the fourth volume. You can read the notes to these by visiting my writing page. Most  of today's tracks come from those collections.

On October 30, 1889 banjoist Will Lyle made history by recording "Jingle Bells" – the very first Christmas record. Although no known copies of this recording survive, one of the earliest vocal examples of "Jingle Bells" does survive on an I've been doing a Christmas blues show for something like the past dozen years and was always frustrated with the lack of a really good collection of early blues Christmas songs. In 2005 I hooked up with the Document label to put together a 2-CD, 52 track collection of blues and gospel songs from the 1920's to the 1950's called Blues, Blues Christmas. The record proved to be popular and second volume was released in 2009, 2013 Edison brown wax cylinder entitled, "The Sleigh Ride Party." The first commercial Christmas blues record was cut by Bessie Smith. Her classic "At The Christmas Ball" inaugurated the Christmas blues tradition when it was recorded in November 1925 for Columbia. A year later, circa December 1926, the gospel Christmas tradition was launched when the Elkins-Payne Jubilee Singers recorded "Silent Night, Holy Night" for Paramount Records. After these recordings it was off to the races with numerous Christmas blues numbers recorded by singers of all stripes, a pace that continued as blues evolved into R&B and then rock and roll. It’s almost certainly the case that many of these songs were recorded at the prompting of the record companies. Like any business they were always looking for a new angle or gimmick to sell records and advertised these Christmas records boldly, often with full-page ads, in black newspapers like the Chicago Defender and magazines like Billboard.

Rev. J.M. Gates: Will The Coffin Be Your Santa ClausPerhaps more than any other music, the blues is deeply enmeshed in a particular culture, entangled in the era of segregation, in the era of Jim Crow and in the era of slavery. In his classic Screening The Blues Paul Oliver wrote “for the Negro, Christmas has a deep-rooted significance beyond that of the religious meaning of the celebration itself; a more worldly one of which has none the less firmly established itself in his folkways. Since far back in slavery Christmas has signified a rest, a break in the year's routine which no other festival affords, proving an opportunity for a man to be with his family and, for a brief period at any rate, from the rigorous monotony of rural labor.” The annual Christmas Ball was something looked forward to all year and as Oliver astutely notes “there may have been a change of venue–a Harlem cellar dive for the 'quarters' and a jazz band instead of the fiddles, but there was probably little difference in kind and certainly in spirit at the Christmas Ball described by Bessie Smith…”

Among Paramount's biggest blues stars of the 1920's were Blind Lemon Jefferson and Blind Blake who made their debuts for the label several months apart – Jefferson in December 1925 or January 1926 and Blake around August of 1926. Paramount ramped up their blues and gospel recordings considerably in 1927 and a new Jefferson and Blake record appeared every month. Paramount resorted to several novel promotions for their big artists; In 1924 Ma Rainey's sixth release was labeled "Ma Rainey's Mystery Record" with prizes given to the best title while Charlie Patton's "Screamin' And Hollerin' The Blues" was listed as by The Masked Marvel with a corresponding advert that bore a drawing of a blindfolded singer – looking nothing like Patton – and the clue that he was an exclusive Paramount artist. Similarly, so successful was Jefferson, that a special yellow and white label was produced for Paramount 12650, "Piney Woods Money Mama" b/w ‘Low Down Mojo Blues" which bore his picture and the wording "Blind Lemon Jefferson's Birthday Record." In a similar vein Christmas records can be seen as just another promotional tool with ads for these records appearing annually in black newspapers every holiday season. Befitting his stardom, Lemon's lone holiday record "Christmas Eve Blues" b/w "Happy New Year Blues", was given a full-page advertisement in the December 12th, 1928 edition of the Chicago Defender. In Paramount's 1928 late fall Dealers' Supplement the label advertised scores of "CHRISTMAS, SPIRITUAL AND SERMON RECORDS THAT ARE DEPENDABLE SALES PRODUCERS" and warned that they "SHOULD BE IN YOUR STOCKS NOW." Blind Blake received the large sized treatment in the 1929 edition of the paper for his "Lonesome Christmas Blues," (also sharing the page was Leroy Carr's "Christmas In Jail – Ain't That A Pain?") his only Christmas record. The flip was "Third Degree Blues" – apparently Blake only had enough holiday spirit for one side!

The trend continued with more frequency in the 30's. Here are a few notable songs: Butterbeans & Susie "Papa Ain’t No Santa Claus" (1930), Charlie Jordan "Santa Claus Blues" ["Christmas Christmas, how glad I am you are here/ Well I ain’t had a chicken dinner for this whole round year/Shiny bones and naked bones gleaming from around my plate/ …So pass me that chicken, the turkey, duck and the goose/Well all you birds gonna be one legged when I turn you-a-loose"] (1931) and "Christmas "Christmas Blues" (1935), Kansas City Kitty & Georgia Tom "Christmas Morning Blues" (1934), Verdi Lee "Christmas "Tree Blues" (1935), Tampa Red "Christmas And New Years Blues" (1934), Peetie Wheatstraw "Santa Claus Blues" (1935), Bumble Bee Slim's "Christmas And No Santa Claus and "Santa Claus Bring Me A New Woman" (1936), Black Ace "Christmas Time Blues (Beggin' Santa Claus)" (1937), Casey Bill Weldon "Christmas Time Blues" (1937), Bo Carter "Santa Claus" (1938), Walter Davis "Santa Claus" (1935), Sonny Boy Williamson I "Christmas Morning Blues" (1938).

Mary Harris, who cut two sides for Decca at an October 31, 1935 session is most certainly Verdi Lee who cut sides on the exact same date, also in the company of fellow St. Louis musicians Peetie Wheatstraw and Charlie Jordan. It was a holiday themed session with the group cutting "Christmas Tree Blues", "No Christmas Blues", "Happy New Year Blues", "Christmas Christmas Blues" and "Santa Claus Blues" (the latter two with vocals by Jordan and Wheatstraw respectively). Paul Oliver noted that "it would be pleasant to think that each singer was inspired by the others to create a blues on the same subject but at this date, with Christmas two months away, it is more likely that it was a deliberate promotional device by [producer] Mayo Williams."

JeffersonPm12692In the 40's there was of course more blues Christmas songs but there was a new music brewing called R&B. Evolving out of jump blues in the late '40's, R&B laid the groundwork for rock & roll. The era's biggest Christmas song was undoubtedly the immortal "Merry Christmas, Baby" cut by Charles Brown & The Blazers in 1947. This perennial classic has been covered numerous times including versions by Elvis Presley, Chuck Berry, Lena Horne , Lou Rawls, Booker T. & the MG's, Otis Redding, James Brown and countless others. Charles Brown's smooth ballad style has become synonymous with Christmas ever since remaking "Merry Christmas, Baby" many times, cutting many other Christmas songs and full length albums including 1961's Charles Brown Sings Christmas Songs and Cool Christmas Blues in 1994.

Notable blues and R&B songs from this period include: Champion Jack Dupree's "Santa Claus Blues" (1945), Gatemouth Moore "Christmas Blues" (1946) [recut in 1977 as "Gate's Christmas Blues"], Little Willie Littlefield "Merry Xmas" (1949), Mabel Scott "Boogie Woogie Santa Claus" (1947), Harman Ray "Xmas Blues" ["Hold it, hold it man/Don’t play me no jingle bells the way I feel this Christmas/Only kind of bells I want to have anything to do with is some of them mission bells/Man, play me the blues long, loud and lowdown"] (1947), Boll Weavil "Christmas Time Blues" (1947), Big Joe Turner "Christmas Date Boogie "(1948), Thelma Cooper "I Need A Man (For Xmas)" (1948), Smokey Hogg "I Want My Baby For Christmas" (1949), Amos Milburn "Let's Make Christmas Merry Baby" (1949), Harry Crafton "Bring That Cadillac Back" ["I let you eat my turkey on Christmas morn/When I looked around you and my Cadillac was gone"] (1949), Felix Gross "Love For Christmas" ["You can have your turkey and your dressing/Sweet cakes and apple pie/Blue Champagne and Rock & Rye/Everything that money can buy"] (1949), J.B. Summers "I Want a Present For Christmas" (1949 ["Santa Claus, Santa Claus/Hear my plea/Open up your bag and give a fine brown baby to me/ …You can stop by my chimney/Drop her in the chute/ Leave your reindeer outside/Come in and get my loot"] .

One other song from this era is the downright odd "Junior's a Jap Girl's Christmas for His Santa Claus" (1942) a Library of Congress recording by Willie Blackwell that defies categorization. Other non-R&B Christmas songs from the 40's include a few by Leadbelly such as "Christmas Is A-Coming", "The Christmas Song", "On A Christmas Day", Sylvester Cotton "Christmas Blues" (1948), Washboard Pete [aka Ralph Willis] "Christmas Blues" (1948), Alex Seward & Louis Hayes "Christmas Time Blues" (1948), Walter Davis "Santa Claus" (1949).

There was a time you could hit the charts with an instrumental as pianist Lloyd Glenn well knew, scoring big with "Old Time Shuffle Blues" which hit #3 on the R&B charts in 1950 and "Chica Boo" which hit #1 in 1951. He seemed to have a knack for being on hit records, accompanying T-Bone Walker on his 1947 hit "Call It Stormy Monday", and in 1949 he joined Swing Time Records as A&R man, recording a number of hits with Lowell Fulson, including "Everyday I Have The Blues" and the #1 R&B hit "Blue Shadows." In sunny Los Angeles on April 1951 he waxed the shuffling "(Christmas) Sleigh Ride." Glenn's distinctive piano work can also be found on a five-song session Jesse Thomas waxed for Swingtime also in April 1951 which included "Xmas Celebration." Glenn was also present when Lowell Fulson cut his classic two-parter, "Lonesome Christmas Pt. 1 & 2 "in 1951.

Leroy Carr: Christmas In JailThe 50's produced many more Christmas gems including: Lowell Fulson's oft covered ""Lonesome Christmas" (1950), Cecil Gant "It's Christmas Time Again" and "Hello, Santa Claus" (1950), Roy Milton "Christmas Time Blues" (1950), Johnny Otis & Little Esther Phillips "Far Away Blues" [also known as "Faraway Christmas Blues"] (1950), Jimmy Liggins "I Want My Baby For Christmas" (1950), The Nic Nacs with Mickey Champion "Gonna Have A Merry Xmas" (1950), Larry Darnell "Christmas Blues" (1950), Sonny Parker with Lionel Hampton "Boogie Woogie Santa Claus" (1950), Lloyd Glenn "Sleigh Ride" (1951), Sugar Chile Robinson "Christmas Boogie" b/w "Rudolph The Red-Nosed Reindeer" (1950), Titus Turner "Christmas Morning" (1952), Lightning Hopkins "Merry Christmas" (1953), Chuck Berry "Run, Rudolph, Run" (1958) and "Merry Christmas Baby" (1958), John Lee Hooker "Blues for Christmas" (1959).

The 60's, less so in the 70's, produced a number of strong Christmas blues songs including at least one blues classic, Little Johnny Taylor's "Please Come Home For Christmas" (1969) which has become an oft covered holiday classic. Other notable 60's songs include: Sonny Boy Williamson II "Santa Claus" (1960), Lightnin' Hopkins "Santa" (1960) and "Heavy Snow" (1962), Black Ace "Santa Claus Blues" (1960), B.B. King "Christmas Celebration" (1960), Hop Wilson "Merry Christmas, Darling" (1961), Robert Nighthawk "Merry Christmas Baby" (1964), Lowell Fulson "I Wanna Spend Christmas With You" (1967), Louis Jordan "Santa Claus, Santa Claus" (1968), Charles Brown "New Merry Christmas Baby" (1969) featuring Earl Hooker, Bukka White "Christmas Eve Blues" (1969). In the 70's: Jimmy Reed "Christmas Present Blues" (1970), Lee Jackson "The Christmas Song" (1971), Clyde Lasley "Santa Came Home Drunk (1971), Albert King "Santa Claus Wants Some Lovin'" (1974) and "Christmas Comes But Once A Year" (1974), Eddie C. Campbell "Santa's Messin' with the Kid" (1977).

There seems to be a dearth of quality Christmas songs in the 70's and 80's. By the late 80's the rise of the CD caused the demise of the 45 record which was one of the main vehicles for putting out holiday songs. However in lieu of the 45 labels began releasing Christmas themed compilations and there have been a number of very good collections. Some of the best include: Austin Rhythm and Blues Christmas (1989) from the Antone's label [reissued on Epic in 1986 and Sony in 2001], Alligator Records Christmas Collection (1992), Ichiban Blues At Christmas Vol. 1-4 (1991-97) [Best of Ichiban Blues at Christmas was issued 2002], Bullseye Blues Christmas (1995), Stony Plain's Christmas Blues (2000), Blue Christmas (2000) from the Dialtone label, Blue Xmas (2001) on Evidence. A number of artists issued Christmas themed records including Charles Brown, Huey "Piano' Smith, Johnny Adams, B.B. King and Etta James. Also with the dominance of the CD age labels went back into their vaults to put together compilations of classic Christmas blues.

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ARTISTSONGALBUM
The Nic Nacs with Mickey ChampionGonna Have A Merry Xmas Blues, Blues Christmas Vol. 2
Mabel ScottBoogie Woogie Santa Claus Blues, Blues Christmas Vol. 1
Frankie ''Half-Pint'' JaxonChrist Was Born On Christmas Morn Blues, Blues Christmas Vol. 1
Titus Turner Christmas Morning BluesBlues, Blues Christmas Vol. 1
Jimmy ButlerTrim Your TreeBlues, Blues Christmas Vol. 1
Cecil GrantHello Santa Claus Blues, Blues Christmas Vol. 1
Harman Ray Xmas Blues Blues, Blues Christmas Vol. 1
Champion Jack DupreeSanta Clause BluesBlues, Blues Christmas Vol. 4
Jimmy McCracklinChristmas Time Part 1Blues, Blues Christmas Vol. 3
Roy Milton & His Solid SendersNew Year's Resolution BluesBlues, Blues Christmas Vol. 2
Johnny Otis OrchestraHappy New Year, BabyBlues, Blues Christmas Vol. 1
Jimmy ButlerTrim Your Tree Blues, Blues Christmas Vol. 1
Big Joe TurnerChristmas Date BoogieBlues, Blues Christmas Vol. 1
Lil McClintockDon't Think I'm Santa Claus Blues, Blues Christmas Vol. 4
LeadbellyChristmas Is CominBlues, Blues Christmas Vol. 3
Leroy CarrChristmas In Jail (Ain't It A Pain) Blues, Blues Christmas Vol. 1
Tampa RedChristmas & New Year's BluesBlues, Blues Christmas Vol. 1
Rev. J.M. Gates Did You Spend Christmas Day In JailBlues, Blues Christmas Vol. 1
Rev. Edward ClaybornThe Wrong Way to Celebrate ChristmasBlues, Blues Christmas Vol. 1
Black AceChristmas TimeBlues, Blues Christmas Vol. 1
Lowell FulsonLonesome CBlues, Blues Christmas Vol. 2hristmas Part 1Blues, Blues Christmas Vol. 2
Hop WilsonNew Merry Christmas Baby Blues, Blues Christmas Vol. 3
Charles BrownChristmas Blues Legend!
Goree Carter Christmas BluesBlues, Blues Christmas Vol. 4
Lonnie JohnsonHappy New Year DarlingBlues, Blues Christmas Vol. 1
Robert NighthawkMerry ChristmasBlues Southside Chicago
Jimmy WitherspoonHow I Hate To See Christmas Come Around Blues, Blues Christmas Vol. 1
Larry DarnellChristmas Blues Blues, Blues Christmas Vol. 1
Butterbeans & SusiePapa Ain't No Santa ClausBlues, Blues Christmas Vol. 1
Mary Harris w/ Peetie Wheatstraw & Charlie JordanHappy New Year BluesBlues, Blues Christmas Vol. 1
Julia LeeChristmas SpiritsBlues, Blues Christmas Vol. 1
Bukka WhiteChristmas Eve Blues Memphis Swamp Jam
Lightnin’ HopkinsMerry ChristmasBlues, Blues Christmas Vol. 2
Gatemouth Moore Gate’s Christmas BluesGreat Rhythm & Blues Oldies Vol. 7
Harry ''Fats'' Crafton w Doc Bagby Orchestra Bring That Cadillac BackBlues, Blues Christmas Vol. 1
J.B. SummersI Want A Present For ChristmasBlues, Blues Christmas Vol. 1
Fats WallerSwingin’ Them Christmas BellsBlues, Blues Christmas Vol. 2

Show Notes:

Paramount Christmas Greetings Ad

I've been doing a Christmas blues show for many years and was always frustrated with the lack of a really good collection of early blues Christmas songs. In 2005 I hooked up with the Document label to put together a 2-CD, 52 track collection of blues and gospel songs from the 1920's to the 1950's called Blues, Blues Christmas. The record proved to be popular and a second volume was released in 2009,  a third volume in 2013 and this year sees the fourth volume. You can read the notes to these by visiting my writing page. Many of today's tracks come from those collections.

On October 30, 1889 banjoist Will Lyle made history by recording "Jingle Bells" – the very first Christmas record. Although no known copies of this recording survive, one of the earliest vocal examples of "Jingle Bells" does survive on an Edison brown wax cylinder entitled, "The Sleigh Ride Party." The first commercial Christmas blues record was cut by Bessie Smith. Her classic "At The Christmas Ball" inaugurated the Christmas blues tradition when it was recorded in November 1925 for Columbia. A year later, circa December 1926, the gospel Christmas tradition was launched when the Elkins-Payne Jubilee Singers recorded "Silent Night, Holy Night" for Paramount Records. After these recordings it was off to the races with numerous Christmas blues numbers recorded by singers of all stripes, a pace that continued as blues evolved into R&B and then rock and roll. It’s almost certainly the case that many of these songs were recorded at the prompting of the record companies. Like any business they were always looking for a new angle or gimmick to sell records and advertised these Christmas records boldly, often with full-page ads, in black newspapers like the Chicago Defender and magazines like Billboard.

Perhaps more than any other music, the blues is deeply enmeshed in a particular culture, entangled in the era of segregation, in the era of Jim Crow and in the era of slavery. In his classic Screening The Blues Paul Oliver wrote “for the Negro, Christmas has a deep-rooted significance beyond that of the religious meaning of the celebration itself; a more worldly one of which has none the less firmly established itself in his folkways. Since far back in slavery Christmas has signified a rest, a break in the year's routine which no other festival affords, proving an opportunity for a man to be with his family and, for a brief period at any rate, from the rigorous monotony of rural labor.” The annual Christmas Ball was something looked forward to all year and as Oliver astutely notes “there may have been a change of venue–a Harlem cellar dive for the 'quarters' and a jazz band instead of the fiddles, but there was probably little difference in kind and certainly in spirit at the Christmas Ball described by Bessie Smith…”

tumblr_lwm4ghP6Of1qd94ffo1_1280

Among Paramount's biggest blues stars of the 1920's were Blind Lemon Jefferson and Blind Blake who made their debuts for the label several months apart – Jefferson in December 1925 or January 1926 and Blake around August of 1926. Paramount ramped up their blues and gospel recordings considerably in 1927 and a new Jefferson and Blake record appeared every month. Paramount resorted to several novel promotions for their big artists; In 1924 Ma Rainey's sixth release was labeled "Ma Rainey's Mystery Record" with prizes given to the best title while Charlie Patton's "Screamin' And Hollerin' The Blues" was listed as by The Masked Marvel with a corresponding advert that bore a drawing of a blindfolded singer – looking nothing like Patton – and the clue that he was an exclusive Paramount artist. Similarly, so successful was Jefferson, that a special yellow and white label was produced for Paramount 12650, "Piney Woods Money Mama" b/w ‘Low Down Mojo Blues" which bore his picture and the wording "Blind Lemon Jefferson's Birthday Record." In a similar vein Christmas records can be seen as just another promotional tool with ads for these records appearing annually in black newspapers every holiday season. Befitting his stardom, Lemon's lone holiday record "Christmas Eve Blues" b/w "Happy New Year Blues", was given a full-page advertisement in the December 12th, 1928 edition of the Chicago Defender. In Paramount's 1928 late fall Dealers' Supplement the label advertised scores of "CHRISTMAS, SPIRITUAL AND SERMON RECORDS THAT ARE DEPENDABLE SALES PRODUCERS" and warned that they "SHOULD BE IN YOUR STOCKS NOW." Blind Blake received the large sized treatment in the 1929 edition of the paper for his "Lonesome Christmas Blues," (also sharing the page was Leroy Carr's "Christmas In Jail – Ain't That A Pain?") his only Christmas record. The flip was "Third Degree Blues" – apparently Blake only had enough holiday spirit for one side!

Blind Blake wishes you a Merry X-mas

The trend continued with more frequency in the 30's. Here are a few notable songs: Butterbeans & Susie "Papa Ain’t No Santa Claus" (1930), Charlie Jordan "Santa Claus Blues" ["Christmas Christmas, how glad I am you are here/ Well I ain’t had a chicken dinner for this whole round year/Shiny bones and naked bones gleaming from around my plate/ …So pass me that chicken, the turkey, duck and the goose/Well all you birds gonna be one legged when I turn you-a-loose"] (1931) and "Christmas "Christmas Blues" (1935), Kansas City Kitty & Georgia Tom "Christmas Morning Blues" (1934), Verdi Lee "Christmas "Tree Blues" (1935), Tampa Red "Christmas And New Years Blues" (1934), Peetie Wheatstraw "Santa Claus Blues" (1935), Bumble Bee Slim's "Christmas And No Santa Claus and "Santa Claus Bring Me A New Woman" (1936), Black Ace "Christmas Time Blues (Beggin' Santa Claus)" (1937), Casey Bill Weldon "Christmas Time Blues" (1937), Bo Carter "Santa Claus" (1938), Walter Davis "Santa Claus" (1935), Sonny Boy Williamson I "Christmas Morning Blues" (1938).

Mary Harris, who cut two sides for Decca at an October 31, 1935 session is most certainly Verdi Lee who cut sides on the exact same date, also in the company of fellow St. Louis musicians Peetie Wheatstraw and Charlie Jordan. It was a holiday themed session with the group cutting "Christmas Tree Blues", "No Christmas Blues", "Happy New Year Blues", "Christmas Christmas Blues" and "Santa Claus Blues" (the latter two with vocals by Jordan and Wheatstraw respectively). Paul Oliver noted that "it would be pleasant to think that each singer was inspired by the others to create a blues on the same subject but at this date, with Christmas two months away, it is more likely that it was a deliberate promotional device by Rev. J.M. Gates: Will The Coffin Be Your Santa Claus[producer] Mayo Williams."

In the 40's there was of course more blues Christmas songs but there was a new music brewing called R&B. Evolving out of jump blues in the late '40's, R&B laid the groundwork for rock & roll. The era's biggest Christmas song was undoubtedly the immortal "Merry Christmas, Baby" cut by Charles Brown & The Blazers in 1947. This perennial classic has been covered numerous times including versions by Elvis Presley, Chuck Berry, Lena Horne , Lou Rawls, Booker T. & the MG's, Otis Redding, James Brown and countless others. Charles Brown's smooth ballad style has become synonymous with Christmas ever since remaking "Merry Christmas, Baby" many times, cutting many other Christmas songs and full length albums including 1961's Charles Brown Sings Christmas Songs and Cool Christmas Blues in 1994.

Notable blues and R&B songs from this period include: Champion Jack Dupree's "Santa Claus Blues" (1945), Gatemouth Moore "Christmas Blues" (1946) [recut in 1977 as "Gate's Christmas Blues"], Little Willie Littlefield "Merry Xmas" (1949), Mabel Scott "Boogie Woogie Santa Claus" (1947), Harman Ray "Xmas Blues" ["Hold it, hold it man/Don’t play me no jingle bells the way I feel this Christmas/Only kind of bells I want to have anything to do with is some of them mission bells/Man, play me the blues long, loud and lowdown"] (1947), Boll Weavil "Christmas Time Blues" (1947), Big Joe Turner "Christmas Date Boogie "(1948), Thelma Cooper "I Need A Man (For Xmas)" (1948), Smokey Hogg "I Want My Baby For Christmas" (1949), Amos Milburn "Let's Make Christmas Merry Baby" (1949), Harry Crafton "Bring That Cadillac Back" ["I let you eat my turkey on Christmas morn/When I looked around you and my Cadillac was gone"] (1949), Felix Gross "Love For Christmas" ["You can have your turkey and your dressing/Sweet cakes and apple pie/Blue Champagne and Rock & Rye/Everything that money can buy"] (1949), J.B. Summers "I Want a Present For Christmas" (1949 ["Santa Claus, Santa Claus/Hear my plea/Open up your bag and give a fine brown baby to me/ …You can stop by my chimney/Drop her in the chute/ Leave your reindeer outside/Come in and get my loot"] .

One other song from this era is the downright odd "Junior's a Jap Girl's Christmas for His Santa Claus" (1942) a Library of Congress recording by Willie Blackwell that defies categorization. Other non-R&B Christmas songs from the 40's include a few by Leadbelly such as "Christmas Is A-Coming", "The Christmas Song", "On A Christmas Day", Sylvester Cotton "Christmas Blues" (1948), Washboard Pete [aka Ralph Willis] "Christmas Blues" (1948), Alex Seward & Louis Hayes "Christmas Time Blues" (1948), Walter Davis "Santa Claus" (1949).

Clyde Lasley: Santa Came Home DrunkThere was a time you could hit the charts with an instrumental as pianist Lloyd Glenn well knew, scoring big with "Old Time Shuffle Blues" which hit #3 on the R&B charts in 1950 and "Chica Boo" which hit #1 in 1951. He seemed to have a knack for being on hit records, accompanying T-Bone Walker on his 1947 hit "Call It Stormy Monday", and in 1949 he joined Swing Time Records as A&R man, recording a number of hits with Lowell Fulson, including "Everyday I Have The Blues" and the #1 R&B hit "Blue Shadows." In sunny Los Angeles on April 1951 he waxed the shuffling "(Christmas) Sleigh Ride." Glenn's distinctive piano work can also be found on a five-song session Jesse Thomas waxed for Swingtime also in April 1951 which included "Xmas Celebration." Glenn was also present when Lowell Fulson cut his classic two-parter, "Lonesome Christmas Pt. 1 & 2 "in 1951.

The 50's produced many more Christmas gems including: Lowell Fulson's oft covered ""Lonesome Christmas" (1950), Cecil Gant "It's Christmas Time Again" and "Hello, Santa Claus" (1950), Roy Milton "Christmas Time Blues" (1950), Johnny Otis & Little Esther Phillips "Far Away Blues" [also known as "Faraway Christmas Blues"] (1950), Jimmy Liggins "I Want My Baby For Christmas" (1950), The Nic Nacs with Mickey Champion "Gonna Have A Merry Xmas" (1950), Larry Darnell "Christmas Blues" (1950), Sonny Parker with Lionel Hampton "Boogie Woogie Santa Claus" (1950), Lloyd Glenn "Sleigh Ride" (1951), Sugar Chile Robinson "Christmas Boogie" b/w "Rudolph The Red-Nosed Reindeer" (1950), Titus Turner "Christmas Morning" (1952), Lightning Hopkins "Merry Christmas" (1953), Chuck Berry "Run, Rudolph, Run" (1958) and "Merry Christmas Baby" (1958), John Lee Hooker "Blues for Christmas" (1959).

The 60's, less so in the 70's, produced a number of strong Christmas blues songs including at least one blues classic, Little Johnny Taylor's "Please Come Home For Christmas" (1969) which has become an oft covered holiday classic. Other notable 60's songs include: Sonny Boy Williamson II "Santa Claus" (1960), Lightnin' Hopkins "Santa" (1960) and "Heavy Snow" (1962), Black Ace "Santa Claus Blues" (1960), B.B. King "Christmas Celebration" (1960), Hop Wilson "Merry Christmas, Darling" (1961), Robert Nighthawk "Merry Christmas Baby" (1964), Lowell Fulson "I Wanna Spend Christmas With You" (1967), Louis Jordan "Santa Claus, Santa Claus" (1968), Charles Brown "New Merry Christmas Baby" (1969) featuring Earl Hooker, Bukka White "Christmas Eve Blues" (1969). In the 70's: Jimmy Reed "Christmas Present Blues" (1970), Lee Jackson "The Christmas Song" (1971), Clyde Lasley "Santa Came Home Drunk (1971), Albert King "Santa Claus Wants Some Lovin'" (1974) and "Christmas Comes But Once A Year" (1974), Eddie C. Campbell "Santa's Messin' with the Kid" (1977).

Freddy Ling: I Hear Jingle BellsThere seems to be a dearth of quality Christmas songs in the 70's and 80's. By the late 80's the rise of the CD caused the demise of the 45 record which was one of the main vehicles for putting out holiday songs. However in lieu of the 45 labels began releasing Christmas themed compilations and there have been a number of very good collections. Some of the best include: Austin Rhythm and Blues Christmas (1989) from the Antone's label [reissued on Epic in 1986 and Sony in 2001], Alligator Records Christmas Collection (1992), Ichiban Blues At Christmas Vol. 1-4 (1991-97) [Best of Ichiban Blues at Christmas was issued 2002], Bullseye Blues Christmas (1995), Stony Plain's Christmas Blues (2000), Blue Christmas (2000) from the Dialtone label, Blue Xmas (2001) on Evidence. A number of artists issued Christmas themed records including Charles Brown, Huey "Piano' Smith, Johnny Adams, B.B. King and Etta James. Also with the dominance of the CD age labels went back into their vaults to put together compilations of classic Christmas blues.

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ARTISTSONGALBUM
Titus Turner Christmas Morning BluesBlues, Blues Christmas
Jimmy ButlerTrim Your TreeBlues, Blues Christmas
Frankie ''Half-Pint'' JaxonChrist Was Born On Christmas Morn Blues, Blues Christmas
Tampa RedChristmas & New Year's BluesBlues, Blues Christmas
Lonnie JohnsonHappy New Year DarlingBlues, Blues Christmas
Robert NighthawkMerry Christmas, Baby Masters Of Modern Blues Vol. 4
Lightnin' HopkinsMerry ChristmasBlues, Blues Christmas Vol. 2
Bukka WhiteChristmas Eve BluesMemphis Swamp Jam
Ralph WillisChristmas Blues Blues, Blues Christmas
Goree Carter Christmas BluesGoree Carter Vol. 1 1949-1950
Gatemouth Moore Gate's Christmas BluesGreat Rhythm & Blues Oldies Vol. 7
Cecil GrantHello Santa Claus Blues, Blues Christmas
Charles BrownNew Merry Christmas Baby Legend!
Leroy CarrChristmas In JailBlues, Blues Christmas
Rev. J.M. Gates Did You Spend Christmas Day In JailBlues, Blues Christmas
Bertha ''Chippie'' HillChristmas Man BluesBlues, Blues Christmas
Victoria SpiveyAin't Gonna Let You See My Santa ClausBlues, Blues Christmas Vol. 3
Butterbeans & SusiePapa Ain't No Santa ClausBlues, Blues Christmas
Sonny Parker w/ Lionel Hampton & His Orchestra Boogie Woogie Santa ClausBlues, Blues Christmas
Big Joe TurnerChristmas Date BoogieBlues, Blues Christmas
Freddy King I Hear Jingle BellsThe Very Best of Freddy King, Vol.1 1960-1961
Harry ''Fats'' Crafton w Doc Bagby Orchestra Bring That Cadillac BackBlues, Blues Christmas
Gus Jenkins and Orchestra Remember Last Xmas Jericho Alley Blues Flash! Vol.2: Blues In Los Angeles 1956-1959
Hop WilsonMerry Christmas DarlingBlues, Blues Christmas Vol. 3
Black AceChristmas TimeBlues, Blues Christmas
Lil McClintockDon't Think I'm Santa Claus Blues, Blues Christmas Vol. 3
LeadbellyChristmas Is CominBlues, Blues Christmas Vol. 3
Herman Ray Xmas Blues Blues, Blues Christmas
Champion Jack DupreeMerry Christmas BluesChris Barber Presents: Lost & Found Vol .2
Jimmy WitherspoonHow I Hate To See Christmas Come Around Blues, Blues Christmas
Lee Jackson The Christmas Song Bea & Baby Records Vol.2
Clyde Lasley Santa Claus Home DrunkBea & Baby Records Vol.2
Roy Milton & His Solid SendersNew Year's Resolution BluesBlues, Blues Christmas Vol. 2
Johnny Otis OrchestraHappy New Year, BabyBlues, Blues Christmas

Show Notes:

Paramount Christmas Greetings Ad

I've been doing a Christmas blues show for many years and was always frustrated with the lack of a really good collection of early blues Christmas songs. In 2005 I hooked up with the Document label to put together a 2-CD, 52 track collection of blues and gospel songs from the 1920's to the 1950's called Blues, Blues Christmas. The record proved to be popular and a second volume was released in 2009 and this year a third volume has been issued. You can read the notes to these by visiting my writing page. Many of today's tracks come from those collections.

On October 30, 1889 banjoist Will Lyle made history by recording "Jingle Bells" – the very first Christmas record. Although no known copies of this recording survive, one of the earliest vocal examples of "Jingle Bells" does survive on an Edison brown wax cylinder entitled, "The Sleigh Ride Party." The first commercial Christmas blues record was cut by Bessie Smith. Her classic "At The Christmas Ball" inaugurated the Christmas blues tradition when it was recorded in November 1925 for Columbia. A year later, circa December 1926, the gospel Christmas tradition was launched when the Elkins-Payne Jubilee Singers recorded "Silent Night, Holy Night" for Paramount Records. After these recordings it was off to the races with numerous Christmas blues numbers recorded by singers of all stripes, a pace that continued as blues evolved into R&B and then rock and roll. It’s almost certainly the case that many of these songs were recorded at the prompting of the record companies. Like any business they were always looking for a new angle or gimmick to sell records and advertised these Christmas records boldly, often with full-page ads, in black newspapers like the Chicago Defender and magazines like Billboard.

Perhaps more than any other music, the blues is deeply enmeshed in a particular culture, entangled in the era of segregation, in the era of Jim Crow and in the era of slavery. In his classic Screening The Blues Paul Oliver wrote “for the Negro, Christmas has a deep-rooted significance beyond that of the religious meaning of the celebration itself; a more worldly one of which has none the less firmly established itself in his folkways. Since far back in slavery Christmas has signified a rest, a break in the year's routine which no other festival affords, proving an opportunity for a man to be with his family and, for a brief period at any rate, from the rigorous monotony of rural labor.” The annual Christmas Ball was something looked forward to all year and as Oliver astutely notes “there may have been a change of venue–a Harlem cellar dive for the 'quarters' and a jazz band instead of the fiddles, but there was probably little difference in kind and certainly in spirit at the Christmas Ball described by Bessie Smith…”

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Among Paramount's biggest blues stars of the 1920's were Blind Lemon Jefferson and Blind Blake who made their debuts for the label several months apart – Jefferson in December 1925 or January 1926 and Blake around August of 1926. Paramount ramped up their blues and gospel recordings considerably in 1927 and a new Jefferson and Blake record appeared every month. Paramount resorted to several novel promotions for their big artists; In 1924 Ma Rainey's sixth release was labeled "Ma Rainey's Mystery Record" with prizes given to the best title while Charlie Patton's "Screamin' And Hollerin' The Blues" was listed as by The Masked Marvel with a corresponding advert that bore a drawing of a blindfolded singer – looking nothing like Patton – and the clue that he was an exclusive Paramount artist. Similarly, so successful was Jefferson, that a special yellow and white label was produced for Paramount 12650, "Piney Woods Money Mama" b/w ‘Low Down Mojo Blues" which bore his picture and the wording "Blind Lemon Jefferson's Birthday Record." In a similar vein Christmas records can be seen as just another promotional tool with ads for these records appearing annually in black newspapers every holiday season. Befitting his stardom, Lemon's lone holiday record "Christmas Eve Blues" b/w "Happy New Year Blues", was given a full-page advertisement in the December 12th, 1928 edition of the Chicago Defender. In Paramount's 1928 late fall Dealers' Supplement the label advertised scores of "CHRISTMAS, SPIRITUAL AND SERMON RECORDS THAT ARE DEPENDABLE SALES PRODUCERS" and warned that they "SHOULD BE IN YOUR STOCKS NOW." Blind Blake received the large sized treatment in the 1929 edition of the paper for his "Lonesome Christmas Blues," (also sharing the page was Leroy Carr's "Christmas In Jail – Ain't That A Pain?") his only Christmas record. The flip was "Third Degree Blues" – apparently Blake only had enough holiday spirit for one side!

Blind Blake wishes you a Merry X-mas

The trend continued with more frequency in the 30's. Here are a few notable songs: Butterbeans & Susie "Papa Ain’t No Santa Claus" (1930), Charlie Jordan "Santa Claus Blues" ["Christmas Christmas, how glad I am you are here/ Well I ain’t had a chicken dinner for this whole round year/Shiny bones and naked bones gleaming from around my plate/ …So pass me that chicken, the turkey, duck and the goose/Well all you birds gonna be one legged when I turn you-a-loose"] (1931) and "Christmas "Christmas Blues" (1935), Kansas City Kitty & Georgia Tom "Christmas Morning Blues" (1934), Verdi Lee "Christmas "Tree Blues" (1935), Tampa Red "Christmas And New Years Blues" (1934), Peetie Wheatstraw "Santa Claus Blues" (1935), Bumble Bee Slim's "Christmas And No Santa Claus and "Santa Claus Bring Me A New Woman" (1936), Black Ace "Christmas Time Blues (Beggin' Santa Claus)" (1937), Casey Bill Weldon "Christmas Time Blues" (1937), Bo Carter "Santa Claus" (1938), Walter Davis "Santa Claus" (1935), Sonny Boy Williamson I "Christmas Morning Blues" (1938).

Mary Harris, who cut two sides for Decca at an October 31, 1935 session is most certainly Verdi Lee who cut sides on the exact same date, also in the company of fellow St. Louis musicians Peetie Wheatstraw and Charlie Jordan. It was a holiday themed session with the group cutting "Christmas Tree Blues", "No Christmas Blues", "Happy New Year Blues", "Christmas Christmas Blues" and "Santa Claus Blues" (the latter two with vocals by Jordan and Wheatstraw respectively). Paul Oliver noted that "it would be pleasant to think that each singer was inspired by the others to create a blues on the same subject but at this date, with Christmas two months away, it is more likely that it was a deliberate promotional device by Rev. J.M. Gates: Will The Coffin Be Your Santa Claus[producer] Mayo Williams."

In the 40's there was of course more blues Christmas songs but there was a new music brewing called R&B. Evolving out of jump blues in the late '40's, R&B laid the groundwork for rock & roll. The era's biggest Christmas song was undoubtedly the immortal "Merry Christmas, Baby" cut by Charles Brown & The Blazers in 1947. This perennial classic has been covered numerous times including versions by Elvis Presley, Chuck Berry, Lena Horne , Lou Rawls, Booker T. & the MG's, Otis Redding, James Brown and countless others. Charles Brown's smooth ballad style has become synonymous with Christmas ever since remaking "Merry Christmas, Baby" many times, cutting many other Christmas songs and full length albums including 1961's Charles Brown Sings Christmas Songs and Cool Christmas Blues in 1994.

Notable blues and R&B songs from this period include: Champion Jack Dupree's "Santa Claus Blues" (1945), Gatemouth Moore "Christmas Blues" (1946) [recut in 1977 as "Gate's Christmas Blues"], Little Willie Littlefield "Merry Xmas" (1949), Mabel Scott "Boogie Woogie Santa Claus" (1947), Harman Ray "Xmas Blues" ["Hold it, hold it man/Don’t play me no jingle bells the way I feel this Christmas/Only kind of bells I want to have anything to do with is some of them mission bells/Man, play me the blues long, loud and lowdown"] (1947), Boll Weavil "Christmas Time Blues" (1947), Big Joe Turner "Christmas Date Boogie "(1948), Thelma Cooper "I Need A Man (For Xmas)" (1948), Smokey Hogg "I Want My Baby For Christmas" (1949), Amos Milburn "Let's Make Christmas Merry Baby" (1949), Harry Crafton "Bring That Cadillac Back" ["I let you eat my turkey on Christmas morn/When I looked around you and my Cadillac was gone"] (1949), Felix Gross "Love For Christmas" ["You can have your turkey and your dressing/Sweet cakes and apple pie/Blue Champagne and Rock & Rye/Everything that money can buy"] (1949), J.B. Summers "I Want a Present For Christmas" (1949 ["Santa Claus, Santa Claus/Hear my plea/Open up your bag and give a fine brown baby to me/ …You can stop by my chimney/Drop her in the chute/ Leave your reindeer outside/Come in and get my loot"] .

One other song from this era is the downright odd "Junior's a Jap Girl's Christmas for His Santa Claus" (1942) a Library of Congress recording by Willie Blackwell that defies categorization. Other non-R&B Christmas songs from the 40's include a few by Leadbelly such as "Christmas Is A-Coming", "The Christmas Song", "On A Christmas Day", Sylvester Cotton "Christmas Blues" (1948), Washboard Pete [aka Ralph Willis] "Christmas Blues" (1948), Alex Seward & Louis Hayes "Christmas Time Blues" (1948), Walter Davis "Santa Claus" (1949).

Clyde Lasley: Santa Came Home DrunkThere was a time you could hit the charts with an instrumental as pianist Lloyd Glenn well knew, scoring big with "Old Time Shuffle Blues" which hit #3 on the R&B charts in 1950 and "Chica Boo" which hit #1 in 1951. He seemed to have a knack for being on hit records, accompanying T-Bone Walker on his 1947 hit "Call It Stormy Monday", and in 1949 he joined Swing Time Records as A&R man, recording a number of hits with Lowell Fulson, including "Everyday I Have The Blues" and the #1 R&B hit "Blue Shadows." In sunny Los Angeles on April 1951 he waxed the shuffling "(Christmas) Sleigh Ride." Glenn's distinctive piano work can also be found on a five-song session Jesse Thomas waxed for Swingtime also in April 1951 which included "Xmas Celebration." Glenn was also present when Lowell Fulson cut his classic two-parter, "Lonesome Christmas Pt. 1 & 2 "in 1951.

The 50's produced many more Christmas gems including: Lowell Fulson's oft covered ""Lonesome Christmas" (1950), Cecil Gant "It's Christmas Time Again" and "Hello, Santa Claus"  (1950), Roy Milton "Christmas Time Blues" (1950), Johnny Otis & Little Esther Phillips "Far Away Blues" [also known as "Faraway Christmas Blues"] (1950), Jimmy Liggins "I Want My Baby For Christmas" (1950), The Nic Nacs with Mickey Champion "Gonna Have A Merry Xmas" (1950), Larry Darnell "Christmas Blues" (1950), Sonny Parker with Lionel Hampton "Boogie Woogie Santa Claus" (1950), Lloyd Glenn "Sleigh Ride" (1951), Sugar Chile Robinson "Christmas Boogie" b/w "Rudolph The Red-Nosed Reindeer" (1950), Titus Turner "Christmas Morning" (1952), Lightning Hopkins "Merry Christmas" (1953), Chuck Berry "Run, Rudolph, Run" (1958) and "Merry Christmas Baby" (1958), John Lee Hooker "Blues for Christmas" (1959).

The 60's, less so in the 70's, produced a number of strong Christmas blues songs including at least one blues classic, Little Johnny Taylor's "Please Come Home For Christmas" (1969) which has become an oft covered holiday classic. Other notable 60's songs include: Sonny Boy Williamson II "Santa Claus" (1960), Lightnin' Hopkins "Santa" (1960) and "Heavy Snow" (1962), Black Ace "Santa Claus Blues" (1960), B.B. King "Christmas Celebration" (1960), Hop Wilson "Merry Christmas, Darling" (1961), Robert Nighthawk "Merry Christmas Baby" (1964), Lowell Fulson "I Wanna Spend Christmas With You" (1967), Louis Jordan "Santa Claus, Santa Claus" (1968), Charles Brown "New Merry Christmas Baby" (1969) featuring Earl Hooker, Bukka White "Christmas Eve Blues" (1969). In the 70's: Jimmy Reed "Christmas Present Blues" (1970), Lee Jackson "The Christmas Song" (1971), Clyde Lasley "Santa Came Home Drunk (1971), Albert King "Santa Claus Wants Some Lovin'" (1974) and "Christmas Comes But Once A Year" (1974), Eddie C. Campbell "Santa's Messin' with the Kid" (1977).

Freddy Ling: I Hear Jingle BellsThere seems to be a dearth of quality Christmas songs in the 70's and 80's. By the late 80's the rise of the CD caused the demise of the 45 record which was one of the main vehicles for putting out holiday songs. However in lieu of the 45 labels began releasing Christmas themed compilations and there have been a number of very good collections. Some of the best include: Austin Rhythm and Blues Christmas (1989) from the Antone's label [reissued on Epic in 1986 and Sony in 2001], Alligator Records Christmas Collection (1992), Ichiban Blues At Christmas Vol. 1-4 (1991-97) [Best of Ichiban Blues at Christmas was issued 2002], Bullseye Blues Christmas (1995), Stony Plain's Christmas Blues (2000), Blue Christmas (2000) from the Dialtone label, Blue Xmas (2001) on Evidence. A number of artists issued Christmas themed records including Charles Brown, Huey "Piano' Smith, Johnny Adams, B.B. King and Etta James. Also with the dominance of the CD age labels went back into their vaults to put together compilations of classic Christmas blues.

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