Sun 30 Aug 2015
|Charlie Sangster||Two White Horses||Blues At Home Vol. 9|
|Charlie Sangster||One Cold Night||Blues At Home Vol. 9|
|James “Son” Thomas & Eddie Cusic||Standing At The Crossroads||Blues At Home Vol. 10|
|James “Son” Thomas & Joe Cooper||Three Days I Cried||Blues At Home Vol. 10|
|James “Son” Thomas||Four Women Blues||Blues At Home Vol. 10|
|Sleepy John Estes||Yellow Yam Blues (Take 4)||Blues At Home Vol. 11|
|Sleepy John Estes & Hammie Nixon||Sugar Mama||Blues At Home Vol. 11|
|Sleepy John Estes||She Keeps Me Worried And Bothered||Blues At Home Vol. 11|
|Mott Willis||Baby Please Don't Go||Blues At Home Vol. 13|
|Lum Guffin||Train I Ride 18 Coaches Long||Blues At Home Vol. 13|
|William 'Do Boy' Diamond||Mississippi Flat||Blues At Home Vol. 13|
|Walter Cooper & Hammie Nixon||Baby Please Don't Go, No. 3||Blues At Home Vol. 13|
|Roosevelt Holts||Big Road Blues||Blues At Home Vol. 13|
|Asie Payton||Blind Man||Blues At Home Vol. 13|
|Jacob Stuckey||It Must Have Been The Devil (Take 2)||Blues At Home Vol. 13|
|Memphis Willie Borum||61 Highway Blues||Blues At Home Vol. 13|
|Mattie May Thomas||Dangerous Blues||American Primitive Vol. II|
|John Dudley||Cool Drink of Water Blues||Parchman Farm: Photographs & Field Recordings 1947–1959|
|Son Thomas||Catfish Blues||Living Country Blues: An Anthology|
|Frank Hovington||Lonesome Road Blues||Gone With The Wind|
|Joe Savage||Joe’s Prison Camp Holler||Living Country Blues Vol. 7|
|Chester Davis, Compton Jones & Furry Lewis||Glory Glory Hallelujah||Sorrow Come Pass Me Around|
|John Lee Ziegler||If I Lose, Let Me Lose||The George Mitchell Collection|
|Jimmy Lee Williams||Have You Ever Seen Peaches||Hoot Your Belly|
|Roosevelt Charles||Wasn't I Lucky||Blues, Prayer, Work & Trouble Songs|
|Jim Brewer||Big Road Blues||Blues Scene USA Vol. 4|
|J.B. Smith||Sure Make a Man Feel Bad||No More Good Time in the World for Me|
In the early 70's through the early 80's Gianni Marcucci made five trips to the United States from Italy to document blues with several albums worth of material issued in the the 1970's. I've corresponded with Gianni regarding those albums and he wrote that these releases were "an abuse and an offense to my effort (10 years of field research, and 13 years of re-mastering and text editing), as well as an insult to the memory of the featured artists" and that his overall experience was a "nightmare." Furthermore, he wrote, "my research has been misunderstood with the result that I received some insults and defamation, both in Europe and USA, on magazines and books." The Blues At Home series is his "peaceful reply" to those critics. The recordings heard on this series were kept in Gianni's private archive. "In order to preserve these materials I transferred to digital those I thought were best, and by 2013  the 16-volume Blues At Home CD collection was ready for release." The material is currently available on iTunes, Amazon, Spotify, Apple Music and CD Baby for digital download and streaming. There are plans to make these available as physical CD's as well.
"In 1972, Gianni wrote, "I worked with Lucio Maniscalchi. In 1976 Vincenzo Castella, assisted me and took the photographs. Lucio Maniscalchi worked with me for 11 days (20-31 December 1972); Vincenzo Castella in July-August 1976. Both Maniscalchi and Castella were not interested in my research and documentary project. They left the project after the 2 field trips were done. They just randomly worked with me on those occasions. Their name was erroneously featured and emphasized on the" original LP's, "especially the name of Vincenzo Castella. I was the only responsible of the recordings, archiving, and LP edition (including, of course, all the typos, mistakes, etc.). In 1972 and 1976 Hammie Nixon helped finding some of the performers in Tennessee. In 1976 Mary Helen Looper and Jane Abraham helped in the Delta. …On December 1972, with the help of the legendary harmonica player Hammie Nixon, using a professional portable equipment, I had the chance to start recording blues in Memphis. The documentary research continued in July 1976, ending in July 1982. A series of informal sessions was held during the course of my five trips through Tennessee, Mississippi, and Louisiana, featuring well known, but also little known, and unknown musicians."
Today's program is our second installment (see part 1) featuring the following artists: Charlie Sangster, James “Son” Thomas, Walter Cooper, Eddie Cusic, Sleepy John Estes, Hammie Nixon, William 'Do Boy' Diamond, Mott Willis, Lum Guffin, Roosevelt Holts, Asie Payton, Memphis Willie Borum and Jacob Stuckey. We have some extra tome time at the end of our two-part feature so we round it out with a selection of filed recording favorites featured on previous shows.
The ninth volume of the Blues At Home collection introduces Charlie Sangster, a little known artist of Brownsville, Tennessee. Belonging to a musical family, he learned how to play mandolin and guitar at the age of 12. His father, Samuel Ellis Sangster, was a blues guitarist who used to play with Sleepy John Estes and Hambone Willie Newbern; his mother, Victoria, was a gospel singer. Charlie played at the fish market and in other social situations with a circle of local musicians, including Charlie Pickett, Brownsville Son Bonds, Hammie Nixon, Yank Rachel, Sleepy John Estes, and Walter Cooper. He also knew and performed with Hambone Willie Newbern during the last part of Newbern’s life. Sangster was recorded at eight sessions between 1976 and 1980.
The tenth volume of the Blues At Home collection features Leland, Mississippi, bluesman James “Son” Thomas along with his uncle Joe Cooper, both hailing from Yazoo County, Mississippi, and Leland blues artist Eddie Cusic who passed away a few weeks back. Thomas, Cooper, and Cusic were discovered in the late ‘60s by researcher Bill Ferris, and Thomas and his uncle’s music are featured in Ferris’s book Blues from The Delta. “Son” Thomas also appeared in several blues LP anthologiesduring the late ‘60s and in some documentary films. From the ‘80s until his death in 1995, Thomas was in the folk music circuit, recording numerous albums and performing all over the world. The material was recorded during several informal sessions held in 1976, 1978, and 1982 at the artists’ homes in Leland and Greenville, Mississippi.
The eleventh volume of the Blues At Home collection features Sleepy John Estes and Hammie Nixon. Estes was born in 1899 in Ripley, Tennessee, but spent most of his life in Brownsville, Tennessee, which he considered his home. Between 1929 and 1939, he recorded over 30 sides for Vocalion, Decca, and Bluebird. Living in poverty for the whole of his life and being completely blind by the late '40s, Estes was rediscovered in the early '60s through the referral of Big Joe Williams. He hit the blues revival circuit, making numerous recordings and performing all over the world until his death in 1977. These sessions were recorded informally at Estes' home in Brownsville in December 1972, both alone and with the accompaniment of his old-time partner Hammie Nixon.
The twelfth volume of the Blues At Home collection harmonica player Hammie Nixon, performing with Sleepy John Estes, and alone on guitar and harmonica. Nixon was born in Brownsville, Tennessee. At age 11, he was able to play harmonica with Sleepy John Estes at a picnic held in Brownsville. Hammie also played with local musicians, Hambone Willie Newbern, Samuel and Charlie Sangster, Yank Rachell, and Charlie Pickett, learning harmonica from Noah Lewis and Tommy Garry. He first recordwd with Estes in 1929 for Victor. In 1934 he recorded in Chicago for Decca and Champion with Brownsville Son Bonds. He recorded with John Estes again in 1935 and 1937. After Estes’ rediscovery in the early ‘60s, Hammie kept performing with him until John’s death in 1977. These recordings were recorded between 1972 and 1976 during informal sessions held at Hammie Nixon and Sleepy John Estes' homes in Brownsville.
The thirteenth volume of the Blues At Home collection, features various blues artists recorded from 1976 to 1982 in Mississippi, Tennessee, and Louisiana. Mott Willis was born in Crystal Springs, Mississippi, has been associated with Tommy and Mager Johnson. Willis was recorded in Crystal Springs, where he was discovered in the summer of 1967 making recordings for Advent and Mimosa Records which have yet to be released. Lum Guffin was a multi-instrumentalist; he played guitar as well as fife and drum music at picnics in the east Shelby County area. Discovered by Swedish researcher Bengt Olsson in the late '60s, Guffin had a Flyright Records LP devoted to him. William “Do-Boy” Diamond was born near Canton, Mississippi, in 1913. He was discovered in the '60s by George Mitchell who recorded him. Roosevelt Holts was born in 1905 near Tylertown, Mississippi, and developed his musical skill with Tommy Johnson. Discovered in the '60s, he made several recordings released on LPs and on a 45. Asie Payton never moved out of the Holly Ridge, Mississippi, area where he worked as a farmer and tractor driver for most of his life. He record for Fat Possum late in life. Memphis Willie Borum was born in 1911 in Memphis and had a central role in the jug band scene, actually playing with all the major groups and blues artists active in the City. He was rediscovered by Sam Charters in 1961, recording two LP albums for Bluesville. Jacob Stuckey was born in Bentonia, Mississippi, in 1916 and learned directly from Skip James.
The final volumes of the Blues At Home series (13-16) feature interviews by several of the artists. These are not featured on today's program.